[Marshinde] has witnessed human creativity as an important resource for sustainable development

summary: the most precious resource for sustainable development is the expression of cultural creativity.

the transformation of our ancient people from distant and beautiful imaginations into thinking and exploration, leading to a rich and varied intangible cultural heritage that gives us the knowledge of chinese culture, is a great inspiration for the creation of people today.

the need to move into modern life is both an important concept of protection and a basic rule and characteristic of self-development.

the core of non-removable protection is the heirs; it is important to value and disseminate the good traditional chinese culture and spiritual values enshrined in it.

the “scale of intervention” needed to be grasped in the preservation and inheritance of non-removable activities, in keeping with the holistic concept of protection, and in building a sustainable and sustainable ecosystem of protection, contributing to the harmonious, friendly and cultural sharing of human society.

the key words

are: non-inheritance; living heritage; people-centred; cultural genetics; balanced development; and cultural sharing

.

introduction by the author: macheed, former deputy director and first class inspector of the non-remains department of the ministry of culture and tourism

is an important component of a good traditional culture, bringing together the wisdom and creativity of all peoples and providing a sustained sense of identity, pride and access to them, and is a valuable cultural asset for all peoples.

in just over two decades, starting with the selection of the unesco representative for the oral and intangible heritage of humanity in qunxia in 2001, china has not only launched the unesco list of intangible cultural heritage with 43 non-incorporated questions, but has also created a model for the non-involvement protection of chinese identity, moving out of a path of non-involvement of chinese identity and providing chinese experience and programmes for non-involvement protection at the regional and international levels.

these vivid practices have brought to light the image of china as a major non-removable resource country, reflecting its responsibility.

it is an important resource for sustainable development and, most importantly, an expression of cultural creativity.

the transformation of our ancient people from distant and beautiful imaginations into thinking and exploration, leading to a rich and varied intangible cultural heritage that gives us the knowledge of chinese culture, is a great inspiration for the creation of people today.

the need to move into modern life is as much a concept of protection as it is in keeping with the basic norms and characteristics of self-development.

today, rural renewal gives a new starting point for non-removable protection, requiring a greater awareness that the core of non-removable protection is the heir; and that the values and spiritual values of china ' s excellent traditional and spiritual values, as enshrined in its heritage, must be valued and disseminated.

the “scale of intervention” needed to be grasped in the preservation and inheritance of non-removable activities, in keeping with the holistic concept of protection, and in building a sustainable and sustainable ecosystem of protection, contributing to the harmonious, friendly and cultural sharing of human society。people-centred non-remnant is the living legacy of

tourists who have experienced white-coloured

chinese non-remnant protection in the next 20 years.

compared to the developed countries, which had begun to do so as early as the middle of the last century, china ' s work on systematic protection was being carried out under the framework of the 2003 unesco convention for the safeguarding of the intangible cultural heritage.

the international convention on the protection of the rights of all migrant workers and members of their families emphasizes the important concepts of “intergenerational transmission”, “activeity” and “re-creation” of heritage, but does not have the concept of “inheritor”.

in its practice, however, and on the basis of the experience of international non-removable protection, china has begun to identify the representative heirs to the non-removable items.

this is the development of the unesco convention on the non-remote and is an important exploration and living practice for the protection of chinese identity.

why the "representative heirs"? first of all, we need to be right about what is essential — the concept of non-materials, which in french and english is meant to be untouchable.

it means that things can be touched, and non-materials are not.

japan and korea referred to non-materials as “intangible cultural wealth”.

the matter is tangible, and the wall and the palace are visible, not invisible, such as our twenty-four aura, the high skill of the heirs, the "seeing, smelling, asking, cutting" of the master of medicine.

this technique exists in the form of the accumulation of various social practice experiences of individuals, groups and nations in a long historical process, which ultimately translates into a knowledge system for human beings, a cultural memory and a way of thinking.

thus, “experience, knowledge, skill” is a core element of non-genetic heritage.

second, the intergenerational transmission of the concept is consistent with the non-inherent inheritance of models such as the non-inheritance of teachers, family inheritance and so on, and the clarity of the spectrum between generations, which has become a common phenomenon in human social practice, a consensual pattern of invisibility and subterranean silence and a familiar local knowledge system.

for example, many of our peoples have a tradition of family stratification, and family transmission is well documented in the family stratification, which is very scientific.

the family code is a sacred thing of a family that is passed on from generation to generation and protected.

once again, it is difficult to record the skills of the main carriers of human beings by their own means, such as the scriptures, as well as the fact that many of our peoples have languages and no words, and that the inheritance is carried out mainly by the teachings of human beings, their mouths and their ears, and so on.

the category of non-remains in the non-remain convention is called “oral traditions and expressions”, which is concerned with the existence and importance of oral traditional expressions in the transmission of human cultural heritage。the most typical case is the three epics of king gosal and manas and ganger of our country, which have been passed on to this day in the form of oral traditions.

there are also many heritages such as traditional theatres, traditional dances, traditional music, and the performing arts, the transfer and transmission of which takes a long time to impart.

some of these are something that can only be thought of and cannot be spoken of, such as the hymn of art, style, artistic expression that can only be brilliant or divinely incarcerated, which is highly personalized and whose learning and mastery is inspired by the individual ' s sense, talent, artistic sense and teacher ' s constant sensibilities, and whose transmission cannot be accomplished by a dictionary.

thus, these characteristics dictate that the non-removable inheritance is more focused on the “intergenerational, living” approach between people, where the key focus is the role of the “person”.

as of september 2022, the number of china's non-representative national-level heirs totalled 3062, of whom some 400 had died.

the greatest significance of this initiative to identify non-representative heirs is — we recognize that the core of non-removable protection is “the human person”, especially the heirs who possess high skills.

among the remaining protections for more than 20 years, we have recognized that the protection of the human being, leaving the human person, cannot speak of the transmission and protection of the living, which is an important feature of the practice of china.

the institutional strength of

02

to focus on major issues

< "back to the ground, home to the bottom"is a feature and a difficulty in china's protection efforts.

the institutional advantage of

to focus on major issues is key to china's outstanding achievements in its protection.

for more than 20 years, china's cultural institutions at all levels, from the central to the local level, have set up specialized units for the protection of non-materials.

in particular, they have set up a four-level protection directory, with national, provincial, municipal and county offices, to be declared from the bottom up, and finally, from among the national-level non-incorporative projects, to select the best traditional cultural representation and influence of china and to declare to the united nations “representatives of the intangible cultural heritage of mankind”, which is also a model of non-remain protection in china's practice.

the party and the government attach great importance to the protection of the human, material and material resources that china has invested to achieve today's achievements.

it took us five years, starting in 2005, to carry out a national survey, to register and catalogue non-removable resources in a systematic and disaggregated manner, and to basically map the “households” of civilian non-removables, with nearly 870,000 projects.

on 1 june 2011, the law of the people ' s republic of china on intangible cultural heritage was officially promulgated, marking the beginning of china ' s non-remains on the path of legal protection and facilitating their development into a new era of dynamic development.

in the “1455” period, state-led plans for the protection of intangible cultural heritage were deployed to strengthen the systematic protection of non-remains, improve the system for the transmission of non-removables, raise the level of non-removables, increase the dissemination of non-removables and promote further progress in the cause of non-removables。

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Non-removable protection to pass on Chinese cultural genes

In June 2022, 10 departments, such as the Ministry of Culture and Tourism, issued a Circular on the Promotion of the Development of the High-quality Transfer of Traditional Processes, which further strengthens the rescue record and encourages the practice of traditional processes and helps them to play a greater role in the good life of the people.

In March 2016, the country ' s first traditional crafts station was established in Khami, Xinjiang.

With the impact of modern lifestyles, Hamwighur embroidery was once weakened.

Following the establishment of the Hammy Traditional Craft Workstation, teachers and students from the University of Tsinghua School of Fine Arts carried out a rescue collection of the Hammy traditional embroidery; and a group of fashion designers designed and developed new products such as headphones, wallets and household appliances based on the Hammy embroidery's traditional pattern and raw materials, and even applied the Hammy embroidery to advanced custom fashions, with great discoloration on international t-stage.

While taking orders, Uighur embroidery rekindled the enthusiasm and vitality of traditional embroidery.

This model of government-led work for the creation of a non-removable heritage and market development platform involves, on the one hand, more embroiderys and, on the other hand, the creation of industrial product chains, with external support, so that technology can be protected in production, so that it can move into today's social life and attract more young people.

04

Preserve the error and establish the correct concept of non-remote protection

.

Folk entertainers are embroidered to create

non-survivors of a living culture, and the non-removable protection and transmission should be the subject's technical, cultural, spiritual, and not material.

Excessive attention to the economic value and market benefits of heritage has led to a number of local deviations in the direction of non-preservation protection.

In the fifth series of national non-exhaustive representational projects, projects of no market or economic value have been removed in some places, and in some regions no such projects have been declared.

Even though the social awareness of these heritage projects is high, they are left behind because they do not produce direct economic benefits.

These practices are a serious departure from the right direction of protection.

There are ten main categories in the country, of which the traditional arts, traditional fine arts and traditional medicinal art are considered to be “productive protection”.

The concept of productive protection is in line with such patrimony characteristics as making of tea, brewing of wine and food, as well as wiping and embroidery, which are themselves commodity-based and market-based and market-based。At the same time, some projects in other categories do not by themselves have the capacity to generate direct income, and if we focus only on those that have an economic value and ignore others that do not produce economic value and market benefits, it will inevitably result in an imbalance between the whole of the non-inheritance, which creates different feelings for non-inherents and, at the overall level of society, leads to bias in orientation and leads to the wrong entry of non-intentional protection.

Indeed, this is a retrogression in the concept of protection.

If they deviate from their own development patterns and protect their original intent, they destroy the ecosystems that they protect.

The non-p” is in itself a vector of the spirit, and the most valuable of which is the spiritual value, which is at the heart of the non-p” protection.

On the basis of such an important recognition, we refer to it as “the spiritual homeland of the Chinese nation, the DNA of the Chinese culture and the symbol of national cultural identity”.

Folklore has always been a difficult place in the protection of human beings, unable to produce direct economic value but building their spiritual home.

Therefore, there is a need for balanced development in the area of non-removable protection, taking into account the various areas of heritage, and for a holistic view of heritage and a comprehensive and coordinated development.

The cultural revival of

is a relic of integration into modern life

in the high mountains district of Japan, where the traditional ancient streets are preserved so far, with a very strong cultural atmosphere.

In my view, the most precious thing is creativity, the wisdom of the ancients needs to be feared and we need to be sustainable.

Instead of making it a “big panda” in a zoo, or a replica of an old object, it seeks spiritual connections with the present generation in a living heritage.

We propose a cultural renaissance, not for retrogression, but for the introduction of the legacy of old traditions into modern life, which is an important way of life for people, the ultimate goal of our non-removable protection.

The legacy of the living today, in keeping with the aesthetics and way of life of the modern, the new climate of the human age, does not promote the preservation of the present.

As with the flow of Chinese characters, the font is not the same, but the hieroglyphic text of square words remains the same.

From the book on the mackerel to the present day, the outside expression has changed, but the Chinese cultural genes have been passed on.

<< The>The< The Jade Rabbit>>>>> The `The `The Heaven Palace I>>>>>The most advanced technological products and the name of the space station in today's Chinese space project>>>< The most sophisticatedThe ancient myth of Chinese civilization.

These names are very precise and strongly consistent with the exploration and aspiration of our ancients for the universe and the sky in mythology.

They're all stories that exist in our folklore books and they've been living.

Instead of using such names as “Athena” “Apolo” “Zeus” and others, we have sought inspiration from the ancient myths of the nation.

This is precisely how China’s excellent traditional culture continues and regenerates today, so that high-tech products can be ably integrated with traditional cultures, and it is an excellent approach to non-relict modernization in the design of the top of the country。these impressive “chinese names” have gained global visibility as the best overseas transmission of chinese culture, and this is the charm of the folklore heritage.

06

non-innovation and dissemination

qinghai hoangnan county's pockets of biang west county are performing

.

this is a very important proposition in protection.

because it is the great creation of our ancients and the precious property of our ancestors, we need to take good measure and balance in our protection and integration into modern life, which is the “scale of intervention”.

protection of use requires, first and foremost, a sense of piety, a careful approach to the heritage, which may not be rigorously exercised and modified “invited”.

for example, the historic story of the king of gessar is a folklore that is transmitted to tibet, qinghai, gansu, sichuan, yunnan, inner mongolia, xinjiang, etc., and celebrates the story of the untimely hero king gsal.

in 2016, the ministry of culture set up an eco-protective experiment area in qingalu, the main area for the dissemination of the quetzal epic, which provides regional and holistic protection.

in the context of the conservation and use of traditional non-heroes in ecologically protected areas, full exploitation of the rich resources of the gessar poetry was made, and in cooperation with the faculty of fine arts of shanghai university, the cultural elements for the extraction of a more poetic gsal's hero were combined with shanghai's “heroes” pen, creating a “heroes” set of pen gifts to make people aware of the charisma of old characters and non-relicts across borders.

two “heroes” are well combined to encourage this to follow cultural heritage patterns, so that the value of non-removables is appropriately combined with external manifestations — that is, the “scale of intervention” is better captured.

in recent years, the china intangible cultural heritage generation programme, the china traditional crafts renewal programme and the traditional crafts workstations have been actively and usefully explored in this area of modern life.

but we also need to be clear that non-removable living protection and inheritance cannot be separated from certain dissemination and sharing.

in particular, in the light of today ' s information age, modern technologies and tools must be used in the form of content carriers and means of dissemination.

the protection of national languages and dialects, for example, is in itself more difficult, but at the moment it is well achieved through the performances of influential stars in local languages, which are used as a useful dialect.

in addition, amplification is an effective means of activation.

the national animated film, lion boys, tells the story of a group of young people who loved and passed on the legacy of the “awakening lion dance” in guang east africa, which was a moving journey from the practice of the lion to the struggle to win the crown。innovative expression in the form of animated cartoons that young people like is a good way to reach young people and spread them.

now that science and technology have changed our lives, it is important to make full use of these means to play a role in the survival of contemporary life.

multicultural means of transmission need to be explored according to different audiences.

a better environment and conditions for inheritance can only be created if there is a certain level of communication.

we encourage more knowledgeable people to explore actively and boldly modern means of communication, so that our younger generation can learn more about them and know them, through the means of dissemination of modern technology, in order to achieve the goals of inheritance and protection.

at the opening of the beijing winter olympics in 2022, the “twenty-four countdown” — a new chapter in building a new chapter on sustainable human development — surprised the world.

as the head of the chinese delegation for the twenty-fourth anniversary, i went through the whole process.

at major international sporting events, the idea of sharing this legacy with the world in a way that is part of the traditional culture of excellence of the chinese nation is both a cultural heritage and the promotion and dissemination of an excellent cultural heritage.

twenty-four accelerators have the widest sense of awareness, and their temporality spans disciplines, nations, regions and ideologies, with no hierarchy.

from ancient times to the present, the king and the common people must follow the laws of moderation.

especially today, we look forward to the peaks of wisdom and creativity that the ancients once achieved, which gave the people of today an inspiration and increased the cultural confidence and pride of our nation.

it provides a living case for the transmission of national cultural life that needs to be learned, studied and learned in our future sustainable development.

the twenty-fourth

is also an expression of the widespread global sharing of intangible cultural heritage.

there are many ways and concepts to be drawn upon in the harmonious settlement of human relations, as well as relations between peoples, regions and states.

in our xinjiang territory, there is a non-removable name, “mascife”, which in uighur means “meetings” “places”, a comprehensive folk entertainment that combines folk songs and dances, musical instruments, competitive performances and games.

on holidays, after harvests, at weddings, and when people are happy, the people who can sing and dance gather in groups to hold massieves and to dance with the joyful messieves.

and one of them, called “apologies to maximeve”, was the meeting of maximeve for the sake of the guilty parties to ask for understanding, to clear their grievances and to mediate relations.

in the event of a contradiction or dispute between the people, the elders of the village will preside over this massey jefe, prompting the parties to renew their friendship, respect for each other's tea and apologize.

it is precisely today that we can draw on one of the ways in which contradictions can be dealt with in music and dance in an old and traditional way that encourages conflict to be overcome in the bud and to deal with disputes。if some of the civil disputes were to be resolved in court, it would be embarrassing for each other, and people ' s relations would develop to a more disharmony, and even from that point on, deeper resentment.

so, dealing with it in a way that is “apologizing for macife” is the best way to achieve harmony, and these cultural connotations are very valuable places in our protection to explore its vital value.

as the issue of environmental and climate protection is today a common concern of the entire world, the earth is of great importance for the sustainable development of humankind.

unesco promotes protection at the international level and because states recognize the vital role and great potential that it offers.

the united nations therefore encourages the sharing of heritage and the worldwide sharing of cultural heritage.

it was to be hoped that countries and regions, when declaring their heritage, would understand each other, respect each other and share in the harmony and peaceful environment created by cultural heritage.

in accordance with the declaration rules established by unesco, heritage projects “shared with one source” can be declared either jointly or individually by the country sharing the heritage.

friendship, cooperation, exchange and cultural sharing among peoples and nations, nations and nations can be enhanced in the process of joint declarations, joint protection and sharing.

for example, my country and mongolia have jointly declared the mongol “long-term folk song” and malaysia the “gone ship”.

the legacy of "falcon domestication" is jointly declared in 24 countries worldwide.

08

the greatest charisma of the last

attests to the creativity of the human being and the (right >

>> at the museum of the art of the gengon

.

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our culture cannot be built on a log of ingenuity and water of no source, but it must be developed in a good tradition.

many of our folk cultures have been difficult to reach in the past, but folk culture has shown a powerful life, like a dark river.

that vitality is precisely the key resource for our sustainable development.

the key focus of unesco on the promotion of non-removable protection is also to provide lessons learned for the current challenges to the survival and development of human society, through the human creativity and cultural diversity that the peoples of the world have dedicated themselves to achieving sustainable human, natural, human and social development.

this is also the greatest charm left behind.

the indispensable role of folklore, such as our festival ceremonies, in building contemporary social harmony, family harmony, national unity and cultural identity is irreplaceable.

we also have a number of non-removable and productive traditional skills that have great potential for improving the quality of life of the present generation, enriching the diverse needs of people and generating employment。among the pro-poor, pro-poor and pro-poor policies promoted by the chinese government, the non-traditional technology projects have played an active role.

for example, our legend of leung sang-bor and toung-dee, which was originally a tragic project of oral literature, later derived a series of works of art from such a legend.

many works of art are popular and popular, including violin concerts, symphonies, films, operas, dances, and many other cultural expressions.

the story of the “false butterflies” in this heritage is the pen of this myth, which has given rise to this tragic story and has reached a state of debacle.

such cultural heritage is the fruit of human wisdom and the creative creation of culture, which fully reflects the genius of human imagination and creativity.

the ancient cultural heritage

embodies the wisdom of many ancestors, which we have not given enough attention in the past to better study, extract, apply and provide better spiritual guidance for the lives of contemporary human beings.

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