"The Great King of Folk Story" Tan Jinshan

in the first national intangible cultural heritage directory, published by the ministry of culture, tan jinshan is the only personal intangible cultural heritage project, and his puzzle is: now, who has to listen to stories for fun?

the international herald tribune in shenyang, journalist wei ji-hung, reported that there is a tsai village located 30 km north-west of shenyang city in a rural/urban area, which belongs to the xinmin city county level.

and do not look at this mountain of wonder, but it is a place of treasure.

in the back street of the village, in a small, small flat, the farmer's story lies in the mouths of king tan zhenshan.

the “tan jinshan folk story” is included in item 20 of the first national intangible cultural heritage list, which is also the only individual intangible cultural heritage project of 501 projects published by the ministry of culture.

reporter for the international herald tribune recently travelled to the pacific village to interview tan jinshan.

the old man had white hair and a 1-metre 82-metre waist plate was straight.

when a guest came to his home, he was replaced with a black-lined thong with black pants.

in more than two hours of interviews, journalists not only heard the beautiful folk stories of the elderly, but also learned the legends of the great king of folk story beyond the stories.

will tell more than 1,000 folk stories

the international herald tribune: where did you learn thousands of folk stories?

tan jinshan: don't look at me in this pacific village, but it's the "royal park of the great qing".

here, the emperor of light had set up the tablet of "the emperor of yong-jing, who returned to the horse, and the emperor of heaven, who fought in peace." it is the stylish temple, which is located five or six miles to the north, on the liao river, which was also a town with thousands of sails, merchants, and docks.

i've liked to listen to stories since i was a kid, and i happen to have a few elders and friends who can tell stories.

first of all, my grandmother sun.

her mother owns a big car store, which houses guests from the south to the north, and is a place where all sorts of folk stories come together for tea and tea.

my grandma listened, remembered, and then told me.

i'm grandma's baby goose, and i hugged grandma and told me stories.

what the devils, fairies, legends make me hear and write down, and learn to live.

i learned it from grandma.

and then there's my three great-grandfathers.

he's a mr.

fung shui, and there's a lot to tell about ghosts.

he tells me stories like zhao zhou qian and red zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhou zhu and red zhu zhu zhu zhu zhou zhou zhu zhu zhu zhu zhu zhu zhong zhong zhu my great-grandfather zhao guobao is a carpenter who makes sailboats and can tell a lot of folk stories such as "mixed entirely." and some old men from the village of new fort new, like liu wanshin, nishin wu, shen dooshan, and others, who were my children, also told me the stories of confucius foods, the legends of the taicheng palace.

i can tell more than a thousand folk stories once i get together.

it doesn't have to be a specialty.

it's a good thing to remember, to hear it。

the international herald: why don't you take some money to subsidize your family? tan jinshan: i've been a farmer all my life and never thought about making a living by telling stories.

it's my hobby to listen to stories and tell them.

people do what they want, what they're interested in, the two cows can't pull back, like a singer, and the chord tickles.

i work in the village, in the willow shade in the summer, in the production team yard in the winter, and i can't keep my mouth shut.

in the days of the cultural revolution, i was warned by the rebel red guards that they were saying "four olds" and that i was scared to say.

later, in the county, on the river dyke, the farmers had a job, and i understood that the work had been taken away by the commune, and when the shed was resting, people encouraged me to say, and i said a few words to make everyone happy.

the story moves the japanese professor, the international herald: what's the impact of storytelling on your life? in 1985, the state organized a “three inheritances” of folk culture, and the comrades of the xinjiang city cultural museum and the teachers of liaoning university came to help me organize the folk stories.

also in august 1988, a book called tsang shan story selection was published, which is called shen yang city in china folklore integrating liaoning.

the book has chosen 53 of my long, medium folk stories.

in july 1992, i was also invited to japan, along with folklore scientists u-cuan, jiang fan and others, to participate in the world folk art fair.

ten days in japan, three stories were told: " the old tortoise " , " the toilet sons " and " the three shiny girls " .

japanese professor junichi nomura told me that chinese folk stories are good and that they promote moral kindness, and that most of them speak very nicely.

mr.

nomura also joked that when i was four or five years old, i listened to grandma's story and enjoyed the best early childhood education.

in june 2000, the shenyang city council and the city government awarded me the title "honyang city honorary artist" for 500 dollars.

plus the $300 i received for my book, the $600 i spent on clothing in the country, the $20,000 i paid in japan, and the $500 i received last summer from the new people's cultural palace, which says i'm a protected “national treasure.” there is a disease that must be cured.

that's a total of $3,000.

if i could not tell these folk stories, how can i get the money out of the country, out of books, and in government awards? the biggest worry is not to be found in the international herald: you are 82 years old this year, and your folk stories are on the national list of intangible cultural heritage representatives, with some consideration for the future? no more than when i was a little girl, when i was a kid, when i was a kid, when i was a kid, when i was a kid and i was a kid and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid, and i was a kid.

more importantly, now that people are talking about economics, no one gives money to tell stories, they end up talking about themselves。i've never accepted a student and no one wants to be my teacher.

although i am now in my fourth life, five sons and three daughters are filial and 13 grandchildren, only four sons, tan wenhai and my granddaughter, tarrymin, still tell a story.

i don't know if they can pass on my folk stories.

good thing i'm not deaf right now and i'm pretty hard.

it's impossible to tell a thousand stories right now, and some of them don't tell and forget, but they all come up.

if the state was to protect those heritages, it would be time to record them.

i'm sorry