Two old men and the Cold Fire code

the town of yoo ying is home to famous national and international paintings.

the ancient han su-young and ho su-young were the heirs of the young yew's drawings, and their work was included in the ministry's list.

the special code for the "choose fire" refers to both the brand logo of the foreign-exported young willow drawings and a special depiction of the cultural hymn of han su-young's style and ho's art.

as a result of han su-young's expertise in drawing the contents of the kung-fu dramas, such as sakahpo and the all-tue-sung ying association, and hao su-young's expertise in the annual drawings of the red house dream series, the two people were given the title of the martial arts.

the fate of han and hodu soo young is closely linked to the ups and downs of young willows.

at the beginning of the liberation, tianjin died and the young willows were no exception, but the old artists han chun-yung and hao-ying were led by their daughters, han su-ying and ho su-ying, who remained committed to this ancient skill.

han soo young recalled that he had brought me and hao soo ying to study because he had left behind some painting tools and drawings, so my father had brought in a few old artists because seven were too few.

the han and huo families are well-connected and well-connected, and the two are of similar age.

they have studied drawings together and have been supporting their families with their fathers since they were 10 years old.

despite the difficult life and setbacks in the drawing process, both su-young insisted on studying the year's art.

in 1958, the two men entered the national young willow painting shop with their fathers and became regular employees.

soon after they entered the shop, the organization asked them to lead young students and to prepare the historical drawings for the young willow drawings as soon as possible.

while the rescue work was under way, the beloved prime minister zhou came to the painting shop in 1961 to visit the painting shop, which warmed the korean and huo artists, while helping the painting club to solve the much-needed paint problem.

in the near future, the prime minister commissioned a well-known writer, the house, to guide the protection and excavation of the annual paintings.

it is in this general context that the painting skills of both su-young have been fully demonstrated.

perhaps it is not clear that the young willows participated in the first leipzig international art exhibition in germany as far back as the 1960s, and that two su-youngs were particularly prominent in drawing this year.

with the help of former artists such as han linxiang and ban zhongyi, famous painters, they made an elaborate painting of the year's paintings and finally won a prize at the international exhibition of paintings by young yang liu of tianjin, china.

in the course of the painting of their annual paintings, such as "shutaro's mother", "long feng", "all-tu quan" and "red house dream series " , two su-youngs highlighted a variety of cultural elements such as "year-old", "colour" and "traditional" in chinese paintings, as well as the special code "cold-fire" in young yang's drawings, which has been formalized and brought to the attention of the media, both at home and abroad。young willow painter shen-ping, the special code for "choose fire" in the annual painting: han su-young in the "choose fire" code, with a soft year in the painting and a soft in the painting, as can be seen in the color.

to give an easy-to-understand example, ho soo-young's drawings are well-colored, while han soo-young's drawings are particularly strong, and the colours are particularly powerful.

the same dozens of willow youth drawings, it goes without saying that the introspects can tell which one is han su-young and which one is ho su-young, and no one can replace him.

a “cold”, a “fire”, which highlights cultural hymns, has developed its own distinctive artistic style for decades.

in addition to the decade of the holocaust, the young willow drawings have been swept away as “four years old”, and the fate of the two su-youngs has been indescribable.

in particular, han su-young saw his ancestors' paintings burned down and shed so much pain and tears on his back that he fell on his eyes.

since the change and opening up of the system, the year-round artists have seen another spring, as has the second rejuvenation of the young willow drawings, and the re-emergence of the “home-to-home, family-to-home” picture.

unfortunately, two su-youngs, who had worked at the young willow painting shop for more than 30 years, had reached retirement age, and they were reluctant to abandon their ancestral painting skills despite their retirement.

after their retirement, they continue to work on the excavation of old and new paintings.

in 1992, huo soo-young and his two brothers brought out their collections for many years.

together, they collected funds to restore the paintings that their father had been running half a century ago.

together, the sisters taught the hoi brothers the art of painting, which was on the verge of being lost, and they tried their best to do their best to save their culture, hoping to produce more of the best in the years.

while working hard to carry on with their paintings, they also helped the younger generation to experiment with the design of new drawings; han su-young, despite the suffering of eye problems, brought out a number of foreign students, and spent three years carefully painting 200 wooden annual paintings, as well as a personal exhibition in his home town, yang qing.

is a joint effort of two young yoo-youngs, who made it possible to pass on their paintings to each other and to be included in the country's first list of intangible cultural heritage, as well as a joint effort to mark the new century by drawing a special code for the world-renowned yoo-young.

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