Wei Jinxin, 10 of the strangest ways of speaking a new language

one of the most turbulent times in china's history is

wei jin, whose political darkness and the liberation of ideas are two salient features of this period.

mr.

totsu said in wei shingen's journal: “after han's death, china's political chaos and the country's decline have led to freedom of thought.

the free liberation of this idea is based on the need for people to escape suffering.

so the chaos has a causal relationship with free liberation.” that is the only way to speak of "wei jintao" in future generations.

wei jinns have a spiritual face, a speech, and a speech that is different from tradition and even from any period of history, and they use their words and deeds, poetry, and so on to artisticize their lives and pursue them.

this is reflected in the promotion of individual life-consciousness and the beginning of a change in the life-like state of the human, spiritual and spiritual person, with a focus on the moral culture of traditional confucianism.

liu qiang, the speaker at the 100

tribune, recently launched a book entitled " wei jin fong ten ' s words: a new word " (china ' s youth press 2014), which sums up the funny things about wei jin ' s people in ten different ways and gives a living modern reading in the form of a monograph.

this is about the appreciation of men for their beauty during the period of wei jin-jin, which goes back to the story of song yu and zhu zhu, during the period of the war, and brings out the biological criteria of historical appreciation of men's beauty: the white skin, the height of the body, and from the stories of the characters wang zheng, pei zhen and pan-yo, to the importance of the mental ethos reflected in the brightness of the eyes and manners.

in the author ' s writing, wei jin ' s beauty style has greatly contributed to china ' s aesthetic development.

"the wind of medicine".

this is mainly about the “five stones”.

in the case of wang bluefield's chicken-eating chickens, there is a great deal to do with wei's mangy behind his temperament.

the story of the "physical complications" and "cultural after-effects" caused by the spread of the five stones was examined by the stories of the quangen, pei su, wang qui and wang qui.

the medical treatment of mr.

wei is an important part of the culture, and its negative effects merit reflection.

from the stories of orient saku and chung brothers, which sum up the defunct and ritual functions of ancient societies, and from the stories of nguyen chau, an important feature of wei jin's drinking culture is the gradual evolution of drinking from a group ritual “serve” to a personal emancipation, self-proclaimed “terrestrial” medium.

and from the stories of wei's drinkers, such as liu xinjiang and piggy piggy piggy, the true world in the spirit of the dignity of wei xinjiang.

"the wind of the nativity".

the word “inheritance” is an euphemism, meaning that words and deeds are “outsides”, that they are “others”, and that the origins of their cultural ideas can be traced back to the estate.

the charisma of “good donkeys”, behind the absurd act of “bursting his donkeys”, carries a true nature that goes beyond the ceremonial bond.

the book quotes the stories of wang dong-bing's son-in-law and the prince of china's "snow and night visit and de", which show the euphemism of the promotions.

"the wind of invisibility." i started with the story of the ning zing, sayingthe underlying reason for the break-up is not so much the weakness of china’s hype, but rather the fact that through two small things, he is different from china’s philosophies, and his philosophies are linked to the evasive culture of hammong wei.

seize culture is one of the most legendary, transcendent and romantic cultural phenomena in traditional chinese culture.

these ancient well-known hermits, such as xue, father of the nest, burchi, uncle qi and yan zi, are all “minded people”.

what is actually revealed here is the spiritual essence of ancient hermits and hidden cultures.

>specific wind.

this is the culture of reputing, identifying talent and predicting development.

cao cao became famous through the introduction of hanmau's prime minister and the commentator xu xu zheng's assessment of the power of the world, the evil of the world.

the story of guo tai and bae goo reflects the deep cultural context of the culture.

another element of identity is that of character, i.e., comparing one person with another, to determine its superiority, elegance and superiority.

they are most shocked by the “attractive pk” of princes and princes, ancestors and koshers, cheyenne and wang tan.

>woods of reckoning.

this refers to a political climate that is clear, with the aim of promoting clarity and guidance, and is based on criticism of real-life politics and the right people.

a large number of honest doctors in hanmau, who were in need of protection of confucian rule and dynasty, joined 30,000 students in politics and corruption and launched a campaign against the ruling elite.

the eminent persons who participated in the clean-up campaign are known as “clean-up”, and they are noble men who are not in the same position as the officials.

two important figures, li xian and kong qiang zhuang.

the book reviews the story of the han ma's qingqing men fighting the qiang group, who ended up killing and killing each other.

>the wind of talk.

wei jinqing is an academic social event conducted by nobles and intellectuals of the era of wei jinjin, in which life, society and the philosophy of the universe are discussed, and in which rhetorical talk is based.

after being crushed by two “party-incarceration” events, intellectuals dared not to talk about politics, and the “winds of talk” of reason and sit-ins among the celebrities.

in particular, the spirit of truth, freedom, equality and innovation is reflected in the discourses of ho ho, wang pil, nguyen shui and loe guang, who have promoted the development of chinese thinking and philosophy and breathe new life into china ' s thinking and culture.

the luxury wind.

in the era of wei jin, the “luxurious wind” prevailed among the elites.

the story of the world says, "the family of the family" and "the children of the family." this luxurious wind began at the beginning with wei ming tsao, and especially with the qing dynasty, from the emperor, the minister of the dprk, to other dignitaries.

the luxuries are rich and hostile, and they are beginning to fight for wealth and show off.

zilong and wang zi are the representatives.

luxury winds are the total outbreak of human vulnerability, and they bring complex thinking to future generations.

the wind of art.

the wind of art runs through wei jinh-north, especially for over 200 years, and almost all art styles have been achievedunprecedented prosperity and remarkable achievements have been achieved.

architectural sculptures, calligraphy drawings, poetry, music and dances, come out of the stars, luminous stars, pianos, princes, chess directors, xie an, books, books, paintings, paintings, and obituaries ...

the winds of the art of wei jin have been affecting today.

ten types of culture above

have been discussed, and some are well known.

but the spirit and the circumstances of the parties are so far from fully understood.

there was no spotlight, no commercial sex, but a love for beauty, an appreciation of high quality, and a admiration for excellence.

i'm sorry

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