The Cylon customs

whether it be drinking, eating or eating meat, the sole dragon family is fed by the housewife.

the guests are given an average share.

after the night, the man drinketh a toast by the fire pond, then throws the wine bowl on the bamboo rack on the fire pond, with the mouth as a sign.

the only dragons are very good guests, such as when a beast is hunted or when a pig kills a cow, they form a feast where a close neighbour gathers for dinner.

in addition, it is the custom of the monologues, who have no knowledge of the passers-by, to offer hospitality to visitors who travel and stay at home.

it was considered a disgrace to have food for the guests and to keep them in the dark.

they have good traditional practices that leave their way behind and keep their homes open at night, considering theft to be the most shameful act.

tourists are not allowed to visit the ceremonial rituals when the unirons perform some primitive rituals.

the only traditional festival for the monologue in the winter months or in the month of ranch is the moo-ki-ki-ki-ki-chwa, which is the year of the mono-lilong.

the duration of the holidays depends mainly on the preparation of food, which is generally two, three or four, five days.

there is also no single fixed date for the festival, and the families freely choose the good gestation day to begin the year.

the qilong river basin, where the qilong are located between mount goligon and mount ryaka, is one of china ' s less populated nations.

after the selection of the year, families invited their relatives and friends for the year.

they carved a gap on the specially made wood, which was an “offer” sent to the invited village.

several gaps had been carved in the logs, which meant that the festival would be celebrated in a few days.

those who have received the mokke invitation will bring with them all kinds of food and congratulate them.

we'll drink a bucket of wine and sing to each other.

in the evening, the entire village gathered with its guests, surrounded by bonfires, and tasted food while watching young men and women dance on the pot and celebrate the annual harvest.

men drink, and when they drink, they throw their bowls into the bamboo racks hanging above the fire ponds, which bodes well.

the distant pasta of the pasta of the yunnan monopoly, the last of the tattoos, the ancient names of “sculpture”, “screw”, “screw”, “screech”, “stembling”, “stembling”, “stabbing ink”, “sharping”, etc.

it is a method of decorating a body with a sharp object, such as a prick, a needle, a knife or a symbol, which penetrates the skin and keeps it in colour for life and never fades.

its origins are very early and are the result of the custom of the originals drawing on their skins for decorative or religious purposes.

there has been widespread prevalence among many primitive peoples in south-eastern asia, oceania, central and south america and africa.

to date, many indigenous peoples in these areas continue to see it as an irreplaceable decoration and a loving family.

in the south-east and south-west regions of china, ancient writing winds are also prevalent.

until the near-modern period, there were some traces of this practice in the le, tom, brown, deon, zorolong, qino, wa, wrath, sage, juba and alpine communities.

the only dragon women's tattoos focus mainly on their faces and are often referred to as “painting” and “written”.

♪ every time a teenage girl ♪at the age of 12, three, it is written as a symbol of adulthood.

in schwen, older and experienced women draw a picture of a girl's face with bamboo-stamped smoke, then hit the thorn with a wooden stick or a stick with a needle, so that it pierces the skin with the pattern, then rubs the bottom ash or sap into the wound and then strips it into blue.

the pattern can be broadly divided into two types: the upper part of the cylon river, with five or six strangulations of the diamond, from its eyebrow to its nose, with its mouth at its centre, to the side of its nostrils, to continue to strung, to congregate through its cheeks to its lower cheeks, to form a one-sided circle, to erect a stabbing stripe inside the circle, and to the top of the ring to the eye.

the whole pattern is like a butterfly with wings flying.

the area downstream of the zilong river is relatively simple and usually has only two or three lines of vertical stripes.

other parts are unwritten.

according to historical records and folk legends, the uniron women's tattooing practices have their origin for specific historical reasons.

for nearly 200 or 300 years, the forces of tibetan tuji and zen slave owners have continued to reach the monologue area, exploiting and squeezing its people in cold blood.

in particular, tibetan tsavalon tusk is forced every year to collect from the people of the monologues a variety of contributions, even taxes on the mouth, ears, nose and hair.

if they cannot afford to pay, women are forcibly taken into slavery in tibetan areas.

young and beautiful women in particular are often at risk of being taken away from their homes.

in this particular social and historical environment, the women of the monologue have had to take a negative self-help approach in order to avoid looting and to escape the destruction and trampling of the earth's toast: to paint their cheeks with smoke, and even prefer to bear the pain of their face as a “diemblide” that will never be washed away, turning into a human being, a ghost like a ghost, fearing and fearing.

for a long time, a pattern of tattooing was formed and continued until the beginning of liberation.

this is why the tattoos have historically been a form of negative struggle by the women of the monologue against ethnic oppression and for personal safety.

the monologues had no words of their own, and until the establishment of the new china, they had been counting time by writing and sending messages.

the monorone carving is widely used.

logic carvings with various symbols play the same role as ordinary words, instruments.

the order of the toast, the private debt, the bride price list, etc.

can be recorded and communicated.

the government (turkish) has a large wood engraved in the form of a wooden sword, approximately 20 centimetres wide and approximately 78 centimetres long.

it's a little thick, flat on both sides, slashed on the top, and set on the bottom.

different contents require different gaps or lines, graphics, etc.

if a wooden carving is used to convey the tax contributions of the toast, a big gap is inserted on the top left and a few small gaps are inserted on the next side, which means that there will be a big curvature and a few followers.

one big gap and two small gaps on the right meant that one leader and two people were asked to meet.

the carvings are sometimes accompanied by different objects such as arrows, spicy, chicken hairs, to indicate different meanings.

if the arrows indicate that they will arrive soon, spicy indicates that if they do not obey the strict sanctions, the chicken hair indicates that they will be passed quickly, etc.

these carvings are usually explained by the people who carry them.

civilian ambassadorswith smaller wood carves.

it is often used to record matters such as debt and money.

if a family has no cattle, the size of the cattle must be measured and recorded when borrowing them from relatives and friends.

the specific method is to measure the bra of the cow with a platinum, then to measure the length of the plume with a fist, and to carve the number of the plume on both sides of a piece of wood.

finally, the wood was split in half from the middle, and the two sides split in half.

when the cattle are returned, as measured, the difference is matched by food, which is more than offset.

then we cast the wood into the fire, and there was no dispute.

threads are also widely used.

it means a single line of linen, each of which represents one day.

if you're out on business, go one day and close.

when you return, a one-day closure will be resolved so that the date and itinerary can be accurately calculated.

the annual festival is the happiest moment for the people of the monologue.

however, as no fixed date exists, an interim agreement is required every year.

the agreed approach also depends more on ropes.

if it is decided that after 10 days, a number of ten knotted ropes will be prepared and given to relatives and friends, one to be removed in one day.

when the last festivities are completed, the festival comes, the pigs are slaughtered, they sing and dance, and they celebrate the new year.

the people of the quillong region are simple, and the ancient winds of "no roads, no nights" still exist.

whoever picks up something on the way will never be taken for himself.

or wait for the lost to return to search, or try to find out where the lost is and return to them as soon as possible.

people travel far away, often dividing the food they carry with them into several pieces, hanging on trees or in caves, etc., and waiting for food on return journeys.

no matter how hungry a passerby may be, he will never eat without permission.

even things such as clothing can be placed by the side of the road at any time, and a single stone is a sign that there is a lord and no one else will pick it up.

the monologues do not leave behind, much less steal.

most of their barns are built behind houses, even on mountains or on the edges of the earth far from their homes.

the door to the warehouse is covered only by bamboo strips or wooden sticks, and there is no risk of theft.

even when away from home, the door is handled simply, and no one enters the house.

the traditional virtues of the monologue are also manifested in many other ways.

such as the virtues of solidarity and solidarity of the whole village; the virtues of respect for the old and the young, the pampering of the poor; the virtues of courtesy, hospitality, etc.

the only dragons love drinking wine, tea and smoke.

the monologue's special way of making wine.

digging a cellar on the ground, surrounded by platinum leaves on all sides, putting cooked corn or rice into the cellars, covering it with a layer of platinum leaves, sealing it with dirt, heating it with fire.

three or five days later, a small hole in the pit was made, with a strong drink gas, and it was made, and it was made, and then the corn or rice was pulled out, and it was rinsed in the tub, and the water filtered out, it was consumed.

whether we drink wine or eat food or meat, the only dragon family is fed by the housewife.

the guests come in on average.

in general, each family has several fire ponds, and each child is married to an additional one, and cooking is done by each fire pond in turn.

it's a unique way of inviting each other, usually using a piece of wood as an invitation to send the piecethe guests to be invited, with a few gaps on the planks, will be invited to the reception in a few days.

guests are invited to take all kinds of food to thank them.

when a guest enters the gate, he/she shall first have a bottle of wine with his/her master, then he/she shall eat and watch the song and dance.

after the night, the man drinketh a toast by the fire pond, then he sets the bowl on the bamboo set on the fire pond, with the mouth of the bowl as a sign.

the qilong people are so passionate that they treat each other with wine even when they meet each other on the road, that it is a disgrace to have food for their guests and to keep them in the dark.

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