Sichuan Traditional Marriage Practices: Cry Marriage

“cry marriages”, also known as “cry marriages”, “cry marriages”, “cry marriages”, “cry sings”.

it is the traditional marriage practice of the han, the turkish family, the tibetans, the zhui, the strong and the saras, i.e., the crying ceremony of the bride when she marries.

the first half of the month, the beginning of the first month, or even the first three months, of the common remarriage of the mother, have opened the beginning of the cry.

no, no, no.

you can cry freely.

the relatives come to visit and cry and give thanks.

the day before and the day after the wedding, she cried to get married.

this hour of crying must be organized in accordance with traditional rituals and must not be carried out in a state of tears.

anyone who doesn't cry will be laughed at and even despised.

in general, the most important aspects of crying are “cry parents”, “cry sister-in-law”, “cry sister-in-law”, “cry uncles”, “cry companions”, “cry mediums”, “cry hair combs”, “cry ancestors”, “cry sedan” etc.

the lyrics are from generation to generation, traditional, and improvised by brides and sisters who cry with us.

first and foremost, it is grateful for the kindness of the noble upbringing and the affection of my brothers and sisters, the sorrow of the passing of the happy past and the uncertainty of the new past while crying over the young.

there are also expressions of dissatisfaction with marriage and a lifetime of regret over media disruption.

the practice of crying and marrying is unknown.

during the time of war, the princess of zhao was married to yan to become queen, and her mother, queen zhao, took her heels and wept for her, and did not send her back.

"yomo is the legacy of the long-lasting practice of mourning.

this practice, which was still prevalent in sichuan countryside until the end of the day, was followed by the practice of crying and marriage in the han colonies of the northern sichuan mountains in the late 1980s.

hear the elders saying, "you have not married a man without crying." if a woman were to be married and not to cry, she would also be treated as an uneducated person in the neighbourhood, which would be a laughing stock; there were rumours that a married woman would not cry and be beaten by her mother, who was an inflowing director.

in the old story, there was a fragrance, and the father forced the cry of the "sing of the singing of the singing of the singing of the singing of the singing of the singing of the singing of the singinging of the singing of the singing of the singing of the singing of the singinging of the singing of the singing of the singing of the singing of the singing of the sing of the singing of the sing of the sing of the sing of the sing of the singing of the singing of the sing of the singing of the singinging of the sing of the singing of the sing of the sings of the singinging of the singing of the singing of the singinginging of the sings of the sings of the sings of the sing of the singings of the singings of the sings of the sing of the singing of the sing when my grandfather was a teenager in the aftermath of the japanese battle, he was living in the suburbs of the county, where folk were more popular, and crying was no longer popular, while the old people were still happy to say that they had been.

but reality cried to marry me only once.

the neighbors say the old grandmother was determined to follow the ancient customs, and the late generations did so.

the method of crying is that, from the first day of the month preceding the marriage, women cry for about an hour.

ten days later, her mother stepped in and cried with her; ten days later, her grandmother stepped in.

there are no sisters in this house.

people say, "if there were any, let them be among those who cry." i'm sorryit's called "sitting house" in kawashi.

the qing dynasty dow, "the tasty cane barn, the sitting words": "marriage ceremony, provincial custom difference.

the provinces are also very different in their manners.

every man who marries a poem first from a woman, it is called a 'catalyzer', and she is a "sitting house" for her.

as for those who sit in the courtroom, their aunts made wine for their fathers, and every word of good will, and they found it beautiful, and they answered.

and the women are more young, and so are the masters.

how low a word shall be, and there shall be a sound of sound and sound, as the ancients.

zai, luijiang ming, travels to a certain part of the village, where a woman comes from, and she says, "let's praise her daughter." "the phoenix falls on the table and which daughter leaves her." who is the sound of heaven, not of the fool? "so that way.

the name of the gido is zhou jintao, chengdu.

the gido people remembered ming bai and lamented that he had remembered only a word of mourning and that it was difficult to see the panther.

it's just as normal to lose one of the old family days.

this little book is a little confused, as if it was written by a man without a word.

and when the wind of the fifteenth kingdom of the verse is not removed, so is jomo.

several paragraphs are reproduced below.

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my mother's been through it, and my daughter's been through it.the oranges were green and the chicks opened my voice.

it's only water in the new copper pelt, and it's two-faced.

mother doesn't talk to me, she doesn't talk to me.

and when the door is a tree of luminous fruit, upon it is a scroll.

one of the books is over and my mother's not here.

thanks to my mother's good sleep, my mother and father cried so much.

crying parents' turn to the hall, the daughter says she's called her parents.

it's like nanko dream.

one foot and five inches to raise a child.

it's hard work, it's bad work.

the crying brother black-painted the tea plate and the sister left her brother alone.

stay to eat, stay to wear your clothes.

the brother-in-law was busy and married to his sister to buy a place.

i'll buy qi yichuan and i'll buy zilonging.

this book is the song of kawabei, and what i saw earlier was kawanan, and the gido people remember kawashi, kawato, and yomo.

unfortunately, the words of the book's weeping marriage are not listed in the words "sorture of the media." as a matter of fact, the scolding medium is one of the most incorruptible programmes of marriage, and one of the most repulsive.

in the old society, women had no freedom to marry because "three from four" boundsit is not easy to deal with its own life-long activities, but rather with the media and the media; so, the "sorture" that preceded it is a valuable opportunity to vent.

this has long been reflected in the arts of play and folk rap.

in the people of the three isthmus, it is the breading habits of the families of the palestinian people that weeping marriages are undoubtedly one of the wealthiest marriages.

the bride has been crying since the first half of the month before her wedding.

the practice of crying marriage is related to the ancient marriage system.

it has become common practice among the members of the turkish family to marry “the daughter of a brother-in-law, who is bound to marry the son of the brother-in-law”, known as the “bonescred” and to be engaged by any woman who, in the eyes of the man, buys a set of firecrackers and puts them on the door of her house.

if a woman is seen and engaged by several men at the same time, the man by accident and even the wife by breaking up her partner to win the marriage, even though she is in peace; the third is bride theft; and the fourth is that most of the previous marriage is a “false life, the word of the match”, and the woman knows neither the man nor her family and is worried about the future.

under such a marriage regime, a girl ' s marriage is unlucky and therefore crying becomes a form of certainty.

the process of wedding begins with a woman to be married crying alone, and one night before her marriage, a woman's girlfriend and her six-brother sister gather together to sit in a room and cry instead.

the content of the cry is gradually becoming a song with a certain tune and rhythm, and becomes a "cry marriage song".

moreover, the turkish family used the possibility of singing a cry-for-marriage song as a symbol for weighing the talents of a woman and her virtues.

the bride not only sings one song to every relative in the family, but also sings when he catches up and does everything.

the content of the crying wedding song is, as usual, about the kindness of raising, the deep feelings of brother and sister and the pain of leaving, which may be an expression of their own fear for the future.

i'm sorry