It's a legend

"p" is one of the ugliest of ancient chinese gods.

and always with the devils of the shadows.

but he was not rejected.

every year of the festival, the people hang his portrait in the shadows.

this practice has continued from the tang dynasty to the present and has continued for over a thousand years.

however, the true history of the clock has long been a mystery.

what's the story? how can we become the most famous god in chinese history? most of the bells we know come from theatre and folklore.

in the story of zhong zhong zhong zhong qing qian, he was a poor student from tang dynasty and a talented poet from childhood.

but he was ugly and ugly, and there was nothing like a reader's.

in other words, he was discriminated against on the grounds of his ugly face.

on the basis of human talent, the clock passes all the way to the temple.

but the king cannot tolerate the ugliness of the bells, with a big swing and a playful cancellation of his eligibility.

ten years of bitterness, instantaneous.

the first version of that story was found in the book "the book of dream creek" , a story slightly different from today's.

soon after the trial case, the king tang was seriously ill and was always harassed by children and unable to sleep.

one night, he dreamt of a child sneaking into the palace, stealing his beloved musical instrument and screaming in the palace.

when the emperor of tang ming fell from the sky in blue.

grab the kid and swallow it.

king tang woke up and the disease never healed.

the blue man in the dream is the ugly bookman.

the painters were asked to draw the statue of the zhong zhong zhong, and to fly the palace and beyond for the safety of evil.

since then, the bell has become a famous ghost catcher.

since north song, almost all of the clockwork stories are similar.

how true is this story, which has been going on for almost a thousand years? let's start with the clock.

we have read the tung dynasty's historical literature and have not found his name in any of tang dynasty's official literature.

there is no one word for similar court grievances.

there is much to be documented in tang dynasty about king tang ming lee lungi.

but neither did i find out the story of tong ming's illness in his dream.

more importantly, when looking at the history of the development of the system of science and technology, king tang is not in a position to conduct the trial examination.

it was more than a hundred years before song taizu zhao zhao qianqiang was created.

in this way, it is likely that the story of the zhong zhong zhong zhi and his death as god was invented after song dynasty.

but at least one of the things that is true is that, in the time of king tang, zhong zhong zhong was already a famous ghost-hunter.

a poem called "thanks to the zhong zhong zhong and the calendar" has been included in the all-donish.

the author is king tang mingand then there was a king named chang.

the poem says to thank the emperor for giving himself the statue of the clock and the calendar.

a similar poem was written by liu xinxi, the great poet.

it is clear from these chinese poems that, as a god, the zhong zhong zhong was well known in tang dynasty, and that the zhong zhong zhong zhong zhong zhong idol became popular in the upper world.

it's not explained in the poem.

this may be the reason why the song dynasty was made up of stories: the song dynasty clock is also well known as tang dynasty, but one cannot explain his origins.

this custom has emerged as long ago as king tang was judged by the passing of poems and charlatan portraits.

the legendary king tang was then introduced to explain the history of the clock, and the story of the bookman and the god of death was invented.

what kind of statue is king tang giving the minister? why did the song dynasty judge zhong yi's student status? can we find out from that statue the true story of zhong yi? it has been documented that the painting by tang dynasty was the first master of the zhong dynasty, and that although his zhong dynasty painting has now been lost, he was seen in the palace in north song.

north song's caucasian, guo ruoxhuan, described in detail what he saw as the true of the clock.

guo joo guo guo guo guo wrote in book six, "p": "the former doojo draws the bell ding, the blue shirt, the red shirt, the white shirt, the twilight, the twilight, the twilight, the hair of the twilight, the ghost in his left hand and the ghost in his right hand.

the writings are so strong, they're so perfect." the so-called "blue shirt" in blue is synonymous with the verb, which means a worn-out shirt.

“little” means a wooden ceremonial instrument in the hands of the minister when he was on his back.

the "floats with hair" are a sign of his identity and frustration.

according to guo joo-hyun of north song, the artist guo xuan described wu do-joon's zhong zhong zhong zhong zhong zhong zheng is indeed ugly and born of a poor reader.

this is the first of its kind in the present age and is the work of five generations of characters.

the image of zhong zhong zhong has always been that of a poor reader.

it seems that it is still impossible to find any trace of the true history of the clock.

maybe we've neglected an important aspect, which is the image of the clock in civil society.

in order to discover the true history of the bell dynasty, look to the people.

however, in the historical literature of tang dynasty, there is no record of the image of the folk clock.

1900, dunsung.

a wang by the name of do-jo found out that one of tang's scriptures referred to zhong yi.

it's called new year's eve.

to the effect that, in a ritual known as 傩 傩 钟>>> leads 100,000 jungle monsters around and captures the ghosts of the wild.

looks like there's another one in tang dynastyzhong zhong zhong, is very different from the popular student image in the upper world.

what kind of ritual is it, and what role is it in? is his origins closely linked to such ceremonies? turning the new tang book, we can read the records of the zhuang.

a ceremonial ceremony held in the palace is described in detail in the

new tang suk yuli.

it appears from the logic that although the names of the rituals are referred to as zhuang, there is still a marked difference between the zhuang in the palace and the zhuong zhong zhong zhuang.

the first is a difference in scale, and the second is that the leader of the dance at the national ceremony is fang hsiang, not the clock in the book.

why is there such a difference between the one and the other? this is because, in tang dynasty, there are two types of machinations; one is known by the official authorities as the palace or the nation, and the other is popular among the people and is known as the country.

this difference exists not only in tang dynasty, but even during the time of the battle.

at the end of the afternoon of the great red bell, the brilliantly strung-out " chong-ting-ting-ting-tai-tong-ting" was recorded as the first bell to appear in the ceremony, and only in the countryside can it be seen in the post-tang dynasty scripts and poems.

fortunately, this old village ritual is still visible.

the city of pingcheng, jiangxi province, is known for its closeness.

the villagers considered their ancestors to be the chinese people who had moved here in tang dynasty.

that's when the dance was brought from nakahara to this day.

the most active part of the dance is the clockwork.

because of his frequent presence and his absolute character on the scene, he is sometimes called a chorus.

unlike the ceremonial ceremony in tang dynasty, the charlatan is no longer a leopard, but a general dressed with 100,000 jungle monsters reduced to four lieutenants.

however, his functions in the ceremony have not changed and he remains a ghost hunter.

as soon as the ceremony begins, the dancers take this step.

and this step reveals the true identity of the clock.

this step has a loud name, known as twisting, and it's a step by which big bang walks.

this approach was documented in the pankosho by shinto's taoist, kohon, 1700 years ago.

there are rumours that ogurts were injured on both legs during water treatment, and that they were only able to move forward in pieces.

but the people are grateful for his kindness in treating the water, not as a flaw, but as a sacred evidence because of his differences.

then it is possible to assume from the origins of this approach that tai chi is in a clan society and that clan leaders are often in the hands of witches.

so the ritual he presided over was also so special.

the witches of the hereafter have followed this path, calling it a stride, both for the sake of the memory of the great and for the purpose of increasing the mystery of the ritual.

does that make any sense? at least one thing that is certain is that the bell dancing is one of the ancient voodoo activities, and it does start early, even earlier than the legendary era of the great lampit dates back to the new stone age.

from the early days of stone-graving and pottery, the rituals of voodoo rituals had appeared at the very beginning of civilization, and the dances were likely to accompany them.

is it then that the bell ding was born? looking at the bell lid mask might help us.

in the country ' s popular bell dancing, masks are indispensable, and in the early voodoo rituals, masks play an important role.

the importance of the mask in the dance ceremony is still visible today.

at the end of the ceremony, the mask was placed in its original position, burning the incense for worship.

as is customary, the ceremonial conductor will sing a message of appreciation.

there is respect for these wooden masks, as in the past.

there is a presumption of the origin of the bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell bell.

the name zhong zhong zhong, probably originated from a famous wizard at that time.

there is a testimonial from a scholar who was told about a well-known wizard, known as qianjin, three thousand years ago.

his best skill is to ask for rain, and every time he attends a rain-seeking ritual, the best of all, so people use his name to point to the witch.

and the two words, cynics and bells, are pronunciated in a similar fashion and are misrecorded as bells during their circulation.

and that's the first thing that comes from the clock.

but there's another completely different term for people in the ping district, who say that zhong zhong is a bong for washing clothes.

there is indeed some intrinsic link between the beating of the clothes with a mahogany stick and the defilement of the charlatan.

we do see a lot of warriors swinging a big stick in a two-hand-time brick.

it's a big stick in a wall painting of loyang sihan.

but why don't you call him big bang instead of chong? three hundred years ago, a college student at the beginning of mingying gave an interesting test in the pronunciation of han.

guininwu believes that the inverse of the word "thong" in lecturing, the sound mother of the bell, and the rhymen mother of the thong, is the sound of the thong.

the vertebrae, in goohan, means the big stick.

it's an old, rare name.

the origin of this name is also closely related to the stick.

it is written in the history of the seven great families of da', shi's, mo's, tree's, jo's, famine's, and queen's.

their surnames are derived from the trades in which they specialize - dow is a pottery maker.

it's a fence, and it's the end-of-the-life family's specialty.

so it seems to us that long ago, the conductor of the dance ceremony was a hand-dancing wand wizard who had a wand called the finale, the vertebrae.

the wizards used the last sunflower to fight the demons, and for a long time they thought the great stick had a magical power and that the name of the last sunflower was a blessing and even a useful onethe word is taken as a human name, as in the case of the north-south era, where some names include the word " zoe " , such as the zhao zhong zhong zhong, in order to use it as a blessing against evil.

on the way to tang dynasty, it was long ago forgotten that jong-hyun was the original best and mistakenly thought to be the best fighter of the ancient world.

this has been facilitated by the widespread practice in upper society of placing the hymn on the icons, whose reputation has grown.

when the song dynasty arrived, it was impossible to prove the history of the great god of tang dynasty, and it was a consolation of his identity as a reader and of his wrongs, as well as to express a grudge between tong ming and chung.

thus, a wooden stick was turned into a man and took to the altar and became a god to which people respected.

such a bad and bad experience is one of the great wonders of ancient history.

yet the story of god is far from over.

the bookshops that run this channel, which are known for their work since ancient times, are full of streets.

every year, there are nearly 10,000 images of the clock, from here to the whole country, to other countries.

as we can see from the beginning, the figure is double, tens of thousands of pieces.

in other years, the cynics were also the most popular species.

this shows that people do have a great deal of confidence in the ghost-hunting power of the clock.

it also reflects from one side the deep roots of the ancient idea of folk ghosts.

and because of the superstition of ghosts, people have shaped ghost-hunting bells.

but the idea of ghosts is long ago.

from the pattern on the earth pottery in the semi-spouse village, the idea of the ghost can be traced back to the era of the new stone, 7,000 years ago.

and zhong zhong became the famous ghost-hunter after tang dynasty.

so who was responsible for the ghost hunt before the zhong zhong yi appeared? then, why was it replaced by a bell? let's see the early and full-time ghost-hunting gods.

this is a western han-era picture brick, when the ghost hunter was a god and a turd.

in the mythology of handey, they are brothers known for their courage.

their image is often seen in the masonry of the two han times, where the brothers of the gods and the tulips are described as the oldest ghost hunters.

this one, kee guo, is the end of an even worse evil.

according to the sage of the south east, the ghost was captured out of instinct - to feed.

the legend is that his breakfast alone will swallow 3,000 evil spirits, and 300 for the night.

before tang dynasty, these men were powerful ghost hunters.

but they were overshadowed by the arrival of the bells.

why can zhong zhong zhong be quick enough to become a trusted ghost-hunter? this is also due to the successful development of civic stories since the song dynasty.

he was first given the status of a poor reader, making him relevant.

is a model of ancient civilian intellectuals.

the story is one step away from the dream, but the emperor's personal good and evil has lost his future.

i'm sure his history has resonated with generations of readersthis is an amazing similarity.

in the eyes of today's people, it's a little bit weird: is it really going to happen that you're being denied a chance to be an official simply because you look ugly? it is not new in tang dynasty to determine the fate of a person in terms of his or her appearance and appearance.

according to the old tang book, the examination qualification is only the most basic requirement, and ultimately the official position, as well as the four gates of the ministry, one of which relates to appearance.

it appears that the circumstances in which the zhong zhong zheng suffered were well founded.

his indignity was manifested by his extreme resistance to the unjust system in the minutes of his death.

to draw a bell of character at this time, he lays an ambush for being the most trusted ghost-hunter.

, one of the few remaining temples dedicated to the clock, was built from the tang song era.

in it, the charlatan statue was different: he was not the ferocious image of a golden or sword, as he usually saw, but rather a court of law.

the performances on the temple front stage are called "the lord goes to the court", where the zhong zhong is known as the judge.

the judge's status at

dates back to the moment when the examination was no longer available and was documented as early as mid-song north.

how did the clockbell become a judge? the interpretation of the folk story is as follows: zhong zhong zhong was struck by the supreme ruler of the divine world, the emperor.

after his death, as everyone else had done, he was going to suffer and was under the authority of his majesty.

but the emperor heard that jong-hyun's grievances were very sympathetic, and so was mercy.

the messengers were quick to inform them of the downside, and there was no hardship in the way.

the jade emperor seems to appreciate the indefatigable character of jong-hoong and intends to take on a heavy responsibility.

on yellow spring road, zhong yiu received a letter of employment and was appointed by the jade emperor as judge of both sides of the sunyang.

the judge's position is not without merit.

judges are also powerful figures in the court of law.

in the north song official system, the judge assists the three divisions.

the third division is the highest financial officer of the government, with the general financial authority of the state, which is only below the rank of the chief financial officer.

then, of course, the judge who assisted him was also a powerful figure in the court.

due to the financial power of the judges, who are highly susceptible to corruption, the choice has always been made by highly respected and selfless officials.

north song's famous qinghuang pu was a judge.

there is a phenomenon in the ping region, which is that zhong zhong zhong and zhong zheng are not separated from each other.

their masks are usually interchangeable, and in many people's perceptions they share the same characteristics, and they are not selfless.

one is the qingqing heaven and the other is the judge of the ugly.

but the judges in this room seem to have greater power.

since north song street in north song, folk stories have been successful in giving zhong zhong zhong zhuang the identity of a poor reader and have gained popular recognition for his relevance.

his indefatigable character made him a selfless judge, and his integration with the image of a clean man eventually made him the most trustworthy catchghost.

look at the early image change of the clock, we find an interesting phenomenon.

that is the duality of the image of the clock.

he has both an elegant, dignified and traditional philosophies, as well as a funny and secular aspect.

in north song ' s grand map, the court painters set up this photograph for the time.

he was wearing a fancy mask, singing and dancing.

the whole scene was marked by a festivities of festivals and entertainment, and there was no authority on the part of a ghost judge.

this is north song soohansen's "the five ritus", where judge zhong zhong zheng and four other gods danced together.

it's also a kind and a fair play.

this is the scene of the arrival of the governor of the land in the painting of the southern song marine "standing out the three.

the bell ding is below the picture and is much lower than the status of a magistrate.

this is also the uniqueness of zhong yi as god: despite the fact that the images of the past and the past are frequent in various drawings, and the myths about him are numerous, there is no doubt that he has no record of the events and that he has become an ugly ghost.

there has never been any royal seal, let alone a record of the establishment of a temple by the central government itself.

however, that is why the folk-forming clocks have gained greater freedom.

this gave zhong zhong zhong a different secular character.

this secular character is immersed in the details of everyday life.

north song shen-chul talks about a mouse trap that was used by the common people at the time.

this song dynasty rat catcher, known as zhong zhong zhong, works exactly the same way it is today.

in practical terms, the zhong yi statue is completely redundant.

even without a clockshot, a rat trap can work.

then why do we have to do this with the bell? the only reason is his deterrence.

the practical utilitarian nature of the ancient folk gods is also reflected in an important custom of folk -- that is, the placing of the door and painting of the ancient folk in front of the door, in pairs on two doors, with single banners on the front of the door.

prevention of harassment by evil spirits.

in some cases, the house was built and the door was not accessible to the master ' s room and the wall was used to isolate it.

the other place where the clockbells often appear is here.

because of the perception that ghosts can only walk straight, even if they accidentally sneak into the door, they will be caught by mr.

zhong zhong, who has the money.

the charades here offer another advantage: it is convenient to place candles in the oven.

the bells are expected to look after their homes with all their might, so, like all other gods, they will be given a rich supply for the first 15 years of prayer.

despite being a fairy, it is common to see each other all the time, and the clock is seen as part of the family.

there is a friendly side to fear.

but if there is a breach of duty on the part of the bell, the head of the family will show the authority of his parents, even through verbal abuse。