Caramel police and dead police
is the caramel and the dead? what are the characteristics of the species compared to the average police officer? this is a question often asked by flower-growing friends.
the author's abbreviated view of the police force was highly appreciated by the author's abbreviated acrimony, which was “not obscurant, but with a much higher heart”.
o'yun-hyun also says in the "order of policing": "the world is full of flowers, sole police." the book notes: “the so-called true, the true, the true, the opposite of evil.” song celebrates the beauty of the innermost of the police, that is, the spirit of its bones.
in guangdong province, there is a story of caraconian omniotics in the new liao's new play, for the poem " sensible " .
the poem concludes: "don't waste your life, caramel.
a deep love for the land, and a great patriotism." i'm also "the caramel omnibus zan": "prepatriately and with his heart, king of the thousand-year-old traditional flowers." i dared to fight against the holy order, to quench the carbs and to reject the aromatics.
dry as a strength, and mercy for children and children.
luoyang's pilgrimage fairy.
caramel police are regarded as a symbol of the national festival and are impressed to remain in the public mind.
there's been a lot of talk in the press over the last few years about dead cops.
in salt city, when the “little oyster gardens” were built, some people relied on the mirror spectrum.
the story of the fifth time is that the police cannot stand the fire, all of it blooming, and the fire will be removed from the sky.
the silo of a dead owl, the fae is the last love of the martial arts.
the author of the mirror spectrum is qing dynasty li yujin (1765-1830), poor in later life, writing " mirror spectrum " .
in his book, he was unsettled with women, and he rewrited the legends of the police, confirming martial law.
it says to the ancient authors that there is nothing wrong with ben.
but there are stories that are fictional and ill-founded.
hundreds of years before the mirror spectrum, there was a historical record of the plains, not legends.
the park was originally made up of zheng chong, the founder of zheng zhi, and brought back red and white from luyang.
in the scroll of scrolls, he “plants flowers with a clear vision, and takes from them the red, as a sign of loyalty to the kingdom; and whoever takes from them the white, as a sign of good will.” his descendants, kim won-hyun, were part of the zhang shih zheng rebel forces against the inter-ethnic oppression of the won dynasty.
he used the force as a whip for the police, and was provided with a charred bone.
the late zhang zhang became the king of the queens, and the qur'an was designated a week, and the legend was that the qian yuan would return, and the whip would remain in the garden, and the flowers would be raised again.
zhang shicheng was also eliminated.
he's been in the army for 10 years and he's been running again.
one of the poems that has been circulated in the society is: “the pine pine pine pine pine pine pine pine pine pine pine pine pine nymphoam and the old south garden police.
he is the one who has the strength of his zeal, and only loves the dead.” all of the above was written by lee ju-jin, who had been in the park for more than 700 years and had nothing to do with mirror pond.
the park has now been expanded to become one of the winnings of subei.
caramel policemen share an ancient legend with dead ones.
the legends are historical, but the role of traditional flower cultures in the construction of spiritual civilization cannot be ignored.
the carbs and the dead twigs are replicated by the humans using one of the characteristics of the police, not a particular breed of the police.
there's a word for "one foot for the police.""Shrink eight inches" means that each year, the police branch is fresh, 20% woody, and 80% unwoody winter is as old as grass.
In fact, because of the different conditions in which they grow, there is little woodification.
The legend refers to this phenomenon, both the carbone and the dead branch.
They are not the names of the Oyster species, and they have little or no characteristics.
To be precise, they are all images of police literature, which are depicted as heroes against violence.
And the dead poltergeist of Mirrors is written as a despicable image of surrenderism, which, of course, is different from the literary evaluation of Mirrors, and the historical assessment of Wujian。