[Wu Bing 'an] Cultural restoration and maintenance in the protection of folk cultural heritage

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Summary: Over the past half century, due to historical changes, social changes, cultural changes and other reasons, China's folk cultural heritage has suffered varying degrees of damage almost without exception.

This series of changes has contributed to an unprecedented strong cultural accumulation from cities to rural areas.

This cultural accumulation will in turn lead to the lag of rural changes and form a large number of cultural memory loss, causing cultural heritage to be seriously damaged or even disappeared, resulting in cultural chaos.

When the opportunity for great economic and social development and great cultural prosperity comes, society will inevitably have the momentum of cultural return.

In this context, the restoration and maintenance of damaged and endangered folk cultural heritage has become a top priority.

The main goals of cultural restoration and maintenance include finding various cultural materials that can be restored; correcting various misconceptions caused by cultural deception; learning the lack of knowledge caused by the shrinking of culture; adjusting, selecting or restoring the incoordination, inadaptability or dislocation caused by cultural substitution; Resolving several cultural collision consequences caused by cultural resistance.

After the goal is determined, the government will take the lead and mobilize the people, with the community as the main body, the representative inheritors and their groups as the main force, and a team of professional workers and experts familiar with various cultural heritage to carry out scientific maintenance and restoration operations., restore the inheritance and dissemination mechanism of traditional culture, so that folk cultural heritage can naturally return to the people and be integrated into daily life that is both traditional and modern.

Keywords: folk cultural heritage; cultural restoration; cultural maintenance; daily life (this article was published in "Central Plains Culture Research", No.

3, 2014) Please download the attachment to read the full text

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