Basic directions and problem orientations for the preservation of the heritage of intangible heritage of the new era [Forests and Richness]

summary: the opinion on further strengthening the safeguarding of intangible cultural heritage provides a comprehensive recognition of the social function, cultural values and scientific gestures of historical initiative, and sets out the objectives, tasks, work guidelines and safeguards for the conservation of intangible cultural heritage of the new era.

the opinions on further strengthening the safeguarding of the intangible cultural heritage uphold a people-centred approach to the preservation of the intangible cultural heritage, respect the basic content of the intangible cultural heritage and emphasize the need to improve the system of transmission of the intangible cultural heritage, in a variety of ways, in order to adapt it to the needs of people ' s lives, to make creative transformations and innovative developments that resonate with time, to promote diversity and high-quality development in the preservation of the intangible cultural heritage, to meet the growing spiritual and cultural needs of the people, to enhance cohesion and to forge a strong chinese national community consciousness.

keyword: intangible cultural heritage protection; transmission system; rational use; basic direction

i: respect for the basic content of intangible cultural heritage and the promotion of contemporary values

: “intangible cultural heritage is an essential part of china's good traditional culture and a living witness of the spread of chinese civilization and an essential basis for connecting national feelings and sustaining national unity.

the preservation, transmission and utilization of the intangible cultural heritage are important for the continuation of the historical history, the determination of cultural confidence, the promotion of the exchange of knowledge among civilizations and the building of a socialist cultural power.” the opinion defines the fundamental attributes of the intangible cultural heritage, i.e.

an important component of china ' s excellent traditional culture.

the intangible cultural heritage law of the people's republic of china refers in many places to the relationship between the intangible cultural heritage and the superior traditional culture of china, “in order to inherit and promote the good traditional culture of the chinese nation, ...

to formulate this law”, “the state shall adopt a determination of the intangible cultural heritage ...

for the preservation of the intangible cultural heritage of the chinese nation, which embodies its excellent traditional culture and has historical, literary, artistic and scientific values, etc.”.

the content of the opinion is clearer and more specific, and the essence of a good traditional culture reflects the rich and positive energy inherent in the spiritual endowment, moral values and traditional life of the chinese nation; the intangible cultural heritage connects national feelings and preserves national unity, meaning that the intangible cultural heritage has a powerful force for communication, interaction and convergence across ethnic and geographical boundaries.

intangible cultural heritage, which is the living practice of the people, is produced and transmitted through the diversity and multidimensional movement of people.

in turn, interpersonal, community and community contacts are transmitted through the intangible cultural heritage, people ' s lives are closer and closer to each other, and traditions of life, based on the intangible cultural heritage, which also serves as a memory resource and symbol of community life.

from this perspective, “the intangible cultural heritage is an important basis for the enhancement of our national identity, the roots of our culture and the spirit of our nation, the expression of our national identity and identity, and the symbol of the recognition of the chinese nation by other peoples”。the intangible cultural heritage of our country is rich in chinese cultural genes and is a fundamental resource for the self-confidence of chinese culture and, in the long-term process of development, represents the cultural heritage, the pursuit of values, the common protection and memory of humankind.

the peoples of different times draw strength from the intangible cultural heritage, the spirit of rearing and the transmission of the best traditional culture of china.

thus, the preservation of the intangible cultural heritage, the enhancement of the productivity, creativity of the resources of the intangible cultural heritage and the highlighting of the common values and forces of life of the chinese nation can give full expression to the self-confidence and self-confidence of the traditional culture of the chinese nation in the world ' s multicultural landscape.

the construction of a socialist cultural power is an important goal of the new age of cultural construction, involving many aspects, including history, reality, nation, nation and life.

the intangible cultural heritage of china, which is the best traditional culture of china, is indispensable.

the intangible cultural heritage is the traditional culture that is fundamental to the chinese nation and contains the infinity and infinity of creativity.

the construction of a strong cultural state cannot be achieved without the intangible cultural heritage, as does the construction of a modern socialist state, which “provides a strong spiritual force for the full construction of a modern socialist state”.

the representative, typical, collective and diverse nature of social activities within the intangible cultural heritage, with a focus on the construction of a cultural power and a modern socialist state, should be guided by the core values of socialism in the preservation of the intangible cultural heritage, place the intangible cultural heritage at the forefront of social construction in the new era and enhance the quality of life of the population, integrate the preservation of the intangible cultural heritage into the nation-building, social development and ensure that the intangible cultural heritage is preserved in a non-selective manner.

intangible cultural heritage is an excellent traditional culture, and various measures of protection have been taken at all levels of government.

at present, we have identified more than 100,000 projects for the representation of intangible cultural heritage at the national, provincial, municipal and county levels, which are part of the chinese civilization, with the peoples of each nation of every age continuing in different ways and in different ways the historical history of the chinese nation and woven together a schematic of the cultural development of china.

many intangible cultural heritages, with their cross-border, inter-ethnic and geographical characteristics, act as exchanges of experience among civilizations, maintaining and consolidating cultural and emotional relations among peoples and regions.

the fundamental content of a large number of endangered and valuable intangible cultural heritages has been respected, contemporary values have been promoted, and a growing number of intangible cultural heritage projects, driven by governments, social groups and academics, are embedded in people ' s daily lives, rural renewal and tourism, with a comprehensive and systematic display of the unique charisma of china ' s excellent traditional culture.

“people are the creators of history and of times.

in the great struggle of the people, the flames of history have leaped around and come together as a people's epic.

the people are mothers of literature.

the growth of literature and art is indistinguishable from the people, who have an inexhaustible and inexhaustible source of literature and art。“the production, transmission and dissemination of intangible cultural heritage is “people-centred” and “life is people, people is life” is given full and systematic prominence in intangible cultural heritage.

the preservation of the intangible cultural heritage, which brings to unprecedented height the people ' s dominant position, is the preservation of people ' s creativity, people ' s living practices and traditions of people ' s sharing.

ii.

the development of a sound system for the preservation of intangible cultural heritage and the promotion of innovative development

of intangible cultural heritage is based on measures to activate and adapt the innate genes of intangible cultural heritage to the new era and to achieve sustainable development.

thus, the establishment of a sound and complete system for the transmission of intangible cultural heritage is an essential and important practice.

the system for the transmission of intangible cultural heritage includes both the survey of intangible cultural heritage resources, in particular the survey of intangible cultural heritage resources in the border areas, the construction of digital archives, and the living practices of intangible cultural heritage.

before the fourteenth five-year survey of intangible cultural heritage resources, we conducted a total of 870,000 intangible cultural heritage resources.

in the light of the current situation, in which many of the intangible cultural heritage of our peoples have not been collected and named as intangible cultural heritage, a comprehensive survey of the resources of our intangible cultural heritage will be carried out in the context of the breadth and history of the population in the new era.

the survey of the resources of the multi-ethnic intangible cultural heritage in the border and remote areas is to sink into villages, homes and individuals, to conduct in-depth, complete, systematic collection and scientific and effective statistics of intangible cultural heritage resources through a variety of channels, to map all the foundations of contemporary china ' s intangible cultural heritage and to make sure that it is in its heart, so as to better pursue the protection of china ' s excellent traditional cultural systems and chart the way forward for the development of intangible cultural heritage.

institutionalizing the management of the archives of intangible cultural heritage resources, upgrading the digital construction files and preserving the relevant objects and materials of intangible cultural heritage.

during the “13th five-year” period, our country carried out a project to record the life-saving work of a representative, planned, organized, step-by-step, intangible cultural heritage, by means of in-depth interviews, field trips, etc., in order to record, in images, languages and scripts, the outstanding traditional cultural genes and fundamental features of some of the senior-age heirs, their skills, their life, their way of transmission and their deep understanding of cultural traditions.

this work needs to be further strengthened in the new era, using modern scientific and technological means and media resources in a more in-depth, nuanced and effective manner, to improve the level of record-keeping of intangible cultural heritage and the life of its heirs.

intangible cultural heritage resources are resources for living and socio-economic development.

intangible cultural heritage takes the form of folklore, cultural life, and is based on the needs of people and social development.

the new era should develop and implement a people-centred strategy for the development of intangible cultural heritage and the full integration of intangible cultural heritage into the socio-economic development of peoples。the intangible cultural heritage, which is based on the life of the people, has a comprehensive character, and many intangible cultural heritage projects are not monolithic, but are a combination of people ' s life practices.

they involve a rational classification of the types of intangible cultural heritage projects, the individuals of the projects, and the construction of a scientific classification system for intangible cultural heritage.

the viability of representative projects incorporating the intangible cultural heritage protected by the government should be assessed, and dynamic adjustment mechanisms should be introduced to encourage and reward projects that protect a strong and productive intangible cultural heritage.

to strengthen the responsibility of the protection units of the intangible cultural heritage project, to strengthen performance assessment and dynamic management, to implement a system of rewards and sanctions and to ensure that the protection units of the intangible cultural heritage project are truly responsible.

five national lists of non-remains were published in 2006-2021, with a total of 1557 items and 3610 sub-items, each project and its sub-items being passed on in accordance with the law and with respect for the status of the people ' s subject, constituting a system of representative lists for the protection of intangible cultural heritage at the national, provincial, municipal and district levels.

the representative list of intangible cultural heritage projects continues to expand and expand in a systematic way, with the aim of “protecting the main, saving the first, rational use and development”, from the conservation of intangible cultural heritage projects to the protection of intangible cultural heritage living practices, greatly enhancing the vitality of intangible cultural heritage.

strengthens taxonomy protection and precision.

intangible cultural heritage projects have become more targeted by classification, precision and precision.

it is impossible for nature to adopt “one-size-fits-all” “one standard” because of the characteristics of the intangible cultural heritage, which are the subject of policies for its protection, such as folklore, traditional dance, traditional music, and the way in which intangible cultural heritage is transmitted and manifested.

with regard to the classification of the situation of intangible cultural heritage in contemporary social life, fundamental changes have taken place in the living environment of some intangible cultural heritage, such as “twisted drums”, river and labour, which are in a state of imminent danger and for which a life-saving investigation and documentation system should be adopted.

more importantly, the protection of different intangible cultural heritage projects should be based on their historical traditions, living circumstances and the development of a specific approach to the preservation of inheritance, which should be applied with precision and incorporate intangible cultural heritage projects into the life of the population.

at present, our civil and play-like intangible cultural heritage has developed more targeted measures for the preservation of heritage and the development of innovations, such as the china traditional crafts renewal plan, the implementation opinion on play in schools, which has significantly advanced the revival of traditional folk crafts and traditional plays in terms of policy guarantees.

the conservation of the intangible cultural heritage of the new era requires, on the basis of the experience gained in the practice of preserving the heritage, a comprehensive roll-out of the different types of intangible cultural heritage, “explaining the contemporary values, social functions and innovative manifestations of the excavation of folklore”.

promote the use of traditional arts, traditional arts, traditional arts, chinese medicine, and other traditional techniques in modern life。respect for each type of intangible cultural heritage, the historical traditions and patterns of life of each project, and more scientific and comprehensive protection of intangible cultural heritage and sustainable development of intangible cultural heritage.

the opinion emphasizes the improvement of the system of representational transmissions of intangible cultural heritage, including the system of representational identification and management of intangible cultural heritage at the national, provincial, municipal and county levels.

the preservation of the intangible cultural heritage is a people-centred living practice, cultural heritage and a focus on the subjects of intangible cultural heritage production and inheritance.

the people are the subjects of the intangible cultural heritage, which originates from the people and is produced and inherited among them, reflecting their lives, feelings, will and wisdom.

guided by the scientific approach, our country has been constantly exploring the establishment of a four-tier structure, a system of transmission protection.

at present, there are 3068 non-genetic persons identified at the national level and more at the provincial, municipal and district levels, some of whom have died because of age, illness or other causes, some of whom have lost their capacity to inherit, and few truly dynamic heirs, particularly in folklore, folklore and folklore, which have severe faults and require greater protection.

intangible cultural heritage heirs live in villages, communities, many of which depend on villages, communities and social groups, such as traditional festivals, traditional dances, traditional play, etc., and are not independent.

in other words, many intangible cultural heritage transmissions must depend on the collective.

“exploring the identification of representative groups (groups) for projects of collective heritage, popular practice.” the importance attached to the group inheritance of intangible cultural heritage is that of the process of co-creation, sharing and rapprochement of intangible cultural heritage, highlighting the group spirit of intangible cultural heritage and motivating the subject of intangible cultural heritage.

implementation of the china intangible cultural heritage inheritance training programme to further enhance the skills and skills of the transferors.

since 2015, a total of 100,000 transfers have been trained throughout the country during the “13th fiveth” period, involving different types of intangible cultural heritage, mainly in traditional technical categories.

local research and training have explored clearer teaching systems, models of practice, working practices and management practices, and institutions have been involved in the transmission and protection of intangible cultural heritage.

the ministry of culture and tourism, the ministry of education and the ministry of human resources and social security continued to implement the china intangible cultural heritage transfer training programme during the new period.

we have 121 higher education institutions, including the university of tsinghua and the central national university, which are involved in the china intangible cultural heritage transfer training programme, which promotes and expands the intangibility of the intangible cultural heritage conservation and transferor ' s innovative practices, accelerates the integration of the best traditional culture of china, with its intangible cultural heritage at its core, into the life of the peoples of china and into the development of society in the new era, “expands the pool of non-genetic talent and promotes the social dissemination of the concept of non-removable protection; raises the level of the design of traditional crafts and improves the status of the preservation of a number of projects; and promotes a number of model and exploratory projects by expanding the means and means of non-removable conservation of heritage。at the same time, it has played an active role in revitalizing traditional processes, promoting the development of the arts, and helping to fight poverty, with growing social influence”.

as a result of the training, the heirs expanded their horizons, enriched their creative content, improved their skills in the transmission of innovation, and developed the phenomenon of “training one person to lead one another” to achieve the goal of “inheritance and innovation for life”.

in the new era, our intangible cultural heritage transmission practices have organically integrated the individual and the group of inheritants for the protection of the heritage, increased support for the inheritants at both the material and spiritual levels, mobilized the intangibility of the intangible cultural heritage of the people and established a system of living guarantees for the systematic and sustainable development of the intangibility of the intangible cultural heritage.

intangible cultural heritage depends on the natural ecological environment, the social history and the traditional practice of living in diversity.

the conservation of our intangible cultural heritage “at the heart of the protection of our intangible cultural heritage, with a holistic protection of historical and cultural accumulation, well-established and valuable cultural patterns”.

the goal of the regional cultural and ecological conservation complex is “to have a rich heritage, to have a strong atmosphere, to have a distinctive character and to benefit the population”.

at present, there are 23 cultural and ecological preservation (experimental) zones under construction at the national level, each of which is located in the government and the population of the country, which promote the overall protection of the intangible cultural heritage in a number of ways and, on the basis of the experience gained, take various measures to improve the level of cultural and ecological conservation and the overall quality of the heritage of the intangible cultural heritage area.

the rapid development of urbanization and urbanization poses a serious challenge to the transmission of our intangible cultural heritage, and it is important not to rely solely on government policy measures to promote the preservation of the intangible cultural heritage, but to fully promote the “non-remaining” of the community “non-remaining in the countryside” “non-remaining in the landscape”.

the conservation, development and utilization of the intangible cultural heritage resources of traditional chinese villages, historic and cultural villages, towns and cities, and the “upgrading of the cultural content of the countryside and the construction of special towns and neighbourhoods of the intangible cultural heritage”.

at the same time, the intangible cultural heritage sites at the national and provincial and municipal levels are integrated into the life of the people, “to form a system of transmission and experience facilities that combine the functions of the intangible cultural heritage museums, passing experience centres (houses, points, etc.) and so forth.

the system for the transfer of intangible cultural heritage has been clarified, making full use of the historical and cultural spaces of the community, the countryside and the various facilities, and has developed a new approach to the transfer of intangible cultural heritage through the integration of the intangible cultural heritage into life, its living heritage, its diversity and its active dissemination.

iii.

rational use of intangible cultural heritage to contribute to the national strategy

p> intangible cultural heritage is derived from the productive and living practices of people, which meet their spiritual and cultural needs, promote economic and social development in different ways and enhance the well-being of their people。intangible cultural heritage is a heritage that has been transmitted from the depths of history and is an asset that holds the value of the times, integrating intangible cultural heritage into modern life, excavating its identity and making rational use of it in a new era that can better enhance the quality of life of the people.

intangible cultural heritage is the basis for the construction of major cultural projects in the country and should be properly integrated into the country ' s major strategies, such as the yangtze economic zone, the grand canal cultural zone, the bay of hong kong, the long triangle integration, as well as revolutionary old areas, ethnic areas, the socio-economic development of borders, life practices and cultural development.

a comprehensive and in-depth survey of the intangible cultural heritage of these areas should be undertaken to explore practical and viable ways of preserving the heritage of intangible cultural heritage and its rational use.

in the process of rural renewal and new forms of urbanization, not only the systematic protection of intangible cultural heritage, but also the creative transformation of intangible cultural heritage, a seamless interface with the building of public cultural services in villages and communities, and the full realization of the role of intangible cultural heritage in the promotion of economic and social development, cultural construction and the modernization of social governance systems.

: “assisting on the firming of the awareness of the chinese national community to promote the preservation of the intangible cultural heritage of all peoples, and to establish and highlight the symbol of chinese culture and the image of the chinese nation shared by all nations.” the intangible cultural heritage is closely related to the awareness of the chinese national community, the chinese cultural symbols and the image of china.

the intangible cultural heritage of the chinese nation is diverse and diverse, and the subjects of the intangible cultural heritage enjoy, communicate widely and learn from each other as a normal feature of life and are necessary for development.

the exchange of the productive life of the intangible cultural heritage is linked to the community consciousness of multi-ethnic harmony, coexistence and integration.

the definition of the chinese and chinese cultural genes and symbols that are embedded in the intangible cultural heritage, the highlighting of the image of the chinese nation, the adoption of the intangible cultural heritage as the deepest cultural identity, and the strengthening of the path of life and the traditional cultural resources of the chinese national community, which are embedded in the intangible cultural heritage.

it is, of course, important to emphasize the common, shared and respectful nature of intangible cultural heritage, “the beauty of all, the beauty of all”, which facilitates the transmission of intangible cultural heritage and promotes the development of cultural diversity.

(b)

rational use of intangible cultural heritage, the exploitation of non-material cultural heritage and rural renewal, opportunities for the integration of tourism development, the use of traditional space resources, such as villages, communities, immovable cultural objects, cultural landscape resources related to folklore, the development of new forms of tourism, cultural creativity, and the introduction of tourist routes, creative products and performing works on the theme of intangible cultural heritage.

support for the integration of part of the intangible cultural heritage into tourist landscapes and the construction of non-minus towns and communities.

rational use of intangible cultural heritage resources for new cultural creation, refining of intangible cultural heritage symbols and innovative design of creative products.

make full use of digital media and internet platforms to broaden the reach of intangible cultural heritage and the distribution of related creative products.

intangible cultural heritage is a living practice and a core cultural heritage of local people, which has brought together elements of local cultural brands and traditional powers in a long-term historical development.

thus, the use of intangible cultural heritage in local cultural construction can contribute to regional socio-economic development and provide traditional resources for the shaping of local cultural brands。cultural genes carried by intangible cultural heritage can bring about creative transformation and innovative use, contributing to the socio-economic development of the region and the improvement of the quality of life of the people.

the rational use of intangible cultural heritage is not the creation of baseless distortions, but rather the respect for the content of intangible cultural heritage, in keeping with the trend towards social development, using modern scientific and technological means, dissemination platforms, incorporating fashion elements, and building a “non-incorporation+” model for the development of new industrial heritage and upgrading the development pattern of intangible cultural heritage, on the basis of meeting the needs of people's lives and aesthetics.

4.

integration into the national education system and expansion of channels of transmission of intangible cultural heritage < p >intangible cultural heritage is integrated throughout national education, a curriculum and teaching materials system for intangible cultural heritage is being developed and a reading book on intangible cultural heritage is being published.” integration of intangible cultural heritage education into national education systems such as primary and secondary education, higher education and vocational school education, inclusion of intangible cultural heritage in schools into the quality education system and introduction of non-material cultural heritage features in primary and secondary schools in various ways.

as part of the implementation of the intangible cultural heritage education, not all intangible cultural heritage is allowed to enter the school system in its original form, with due regard for the content orientation of intangible cultural heritage, scientific adaptations based on the age and intellectual capacity of students, extraction of the intangible cultural heritage into educational material, and the systematic and step-by-step implementation of school education.

the selection of primary and secondary schools, the establishment of a base for the transmission of the special features of the national intangible cultural heritage project, the integration of intangible cultural heritage into the practical teaching of schools, and the personal experience of pupils of the charm of intangible cultural heritage.

to encourage and support the participation of representative heirs in the teaching and teaching of science in schools, and to build a national educational practical base for the transmission of intangible cultural heritage.

the use of schools as educational bases for intangible cultural heritage, as transmission bases and as research bases provides an organic link between the intangible cultural heritage heirs and students, teachers, and a deep social and school integration.

updates on time and uses multiple media to spread intangible cultural heritage across time and space.

increased integration with the media, enrichment of means of dissemination, expansion of communication channels, encouragement of the media to create topics, columns, etc.

on intangible cultural heritage, support for the production of documentaries on related topics, promotion of the dissemination of various new media platforms and the introduction of films, documentaries, promotional films, theatres, short videos, etc., with the main content of intangible cultural heritage.

in the spring of 2022, hebei province's mandarin department launched a series of events entitled “the land of lottery, the year's intangible cultural heritage series through short video and live broadcasts, as well as micro-videos of the intangible cultural heritage project, such as the zhuang palace lamp, the intangible paper cutting paper, and the long mountain war drum, and activities such as the ishibaa intangible cultural heritage project web show and the live year's dinner.

modern science and technology has brought new developments in intangible cultural heritage and has provided a vast cultural space for its dissemination.

“technology and technological change can bring new forms of artistic expression and presentation, but the enrichment of art always depends on life。the right use of new technologies, new means, creative inspiration, cultural enrichment, and the expression of ideas and emotions, in order to bring about a new, more inclusive and promising context for artistic creation.”

intangible cultural heritage is a living practice of the people and its transmission is part of the building of a people-centred social and public cultural system, using “cultural houses (stations), libraries, museums, galleries, public cultural facilities, etc., for training, exhibitions, lectures, academic exchanges, etc.

on intangible cultural heritage” as a necessity for public cultural construction.

v, address four issues

first, focus on declarations and minimize protection.

great importance is attached to the development of intangible cultural heritage, which is part of the government ' s efforts to preserve and build culture, and to the declaration of intangible cultural heritage.

the pace of safeguarding an intangible cultural heritage slows down when a successful declaration of such an intangible cultural heritage enters the national list of intangible cultural heritage representatives.

some projects have been successfully declared with weak government management and support, while others lack effective means of protection.

the declaration of intangible cultural heritage is gradual, objective and operational and is implemented on a case-by-case basis in accordance with the criteria for the declaration; the preservation of intangible cultural heritage is long-term and regular in nature, spanning the daily productive life of the people and in accordance with the characteristics of the project itself.

this requires an in-depth understanding of the intangible cultural heritage project, a vision of its integration with modern life, a mastery of the inherent patterns of the development of intangible cultural heritage projects, and a clear understanding of the systematic knowledge of intangible cultural heritage projects and the principles of productive life.

the intangible cultural heritage project is not a policy act, but a professional knowledge system.

intangible cultural heritage management, protection units lack expertise and sometimes the government is in a position to protect an intangible cultural heritage without knowing where to proceed.

the government must take effective responsibility for raising awareness among all sectors of society of the importance of safeguarding the intangible cultural heritage, integrating the safeguarding of the intangible cultural heritage into the national economic and social development planning and annual fiscal budget, and combining it with the annual appraisal of the conservation unit, the duty-bearer.

at present, the ministry of culture and tourism has the department of intangible cultural heritage, which is responsible for national non-material protection, and the china centre for the safeguarding of intangible cultural heritage, which has been set up in the provinces (autonomous regions, municipalities directly under the central government).

although there are more than 17,000 persons working in the protection and management of intangible cultural heritage throughout the country, at the county and municipal levels, the mechanisms for the protection of intangible cultural heritage are inadequate and the number of staff working in the protection and management of intangible cultural heritage is low, which seriously affects the preservation of intangible cultural heritage.

it is therefore necessary to strengthen the development of teams for the protection and management of intangible cultural heritage, to upgrade the professional capacity of teams for the protection and management of intangible cultural heritage, to organize regular training activities for teams for the protection and management of intangible cultural heritage and to include the protection of intangible cultural heritage in educational training。

second, focus on economic capital attributes and downplay inheritance.

intangible cultural heritage, which has economic capital attributes in traditional societies, is often the focus of declarations by local governments, which use intangible cultural heritage as a pyramid and seek ways to polish it and promote the industrialization of intangible cultural heritage projects as the backbone of local socio-economic development.

as a result, a number of intangible cultural heritage projects have been marked, commodified and, in some cases, transformed, contrary to the objective of preserving the heritage of intangible cultural heritage.

intangible cultural heritage should be integrated into the economic development of society, into the daily life of the population, and, while preserving the traditional forms of intangible cultural heritage and cultural content, should be expanded in the branding of intangible cultural heritage projects, with a view to increasing the depth and breadth of their social and economic development, and should be strengthened in support of the intangible cultural heritage heirs, with a view to effectively enhancing their sense of participation, access and pride.

thirdly, the display of a passion for daily life is downplayed.

“the organization of a variety of promotional activities during traditional festivals, cultural and natural heritage days”, regular exhibitions and fairs on intangible cultural heritage, “the strengthening of professional, regional exhibitions of intangible cultural heritage, the organization of events such as the china intangible cultural heritage fair, and the chengdu international intangible cultural heritage festival”.

during the spring festival of 2022, guangdong held a “no year without culture” exhibition at the manga and non-magic exhibitions; zhejiang antao lake combines the conservation of intangible cultural heritage with tourism and organizes traditional dance lion performances that provide opportunities for local residents and tourists to appreciate, understand and participate in the transfer of intangible cultural heritage.

however, these exhibitions are of a phased nature and the transmission of intangible cultural heritage is long-term, which can be more deeply integrated into people ' s lives only if the intangible cultural heritage is integrated into their daily lives, making it an integral part of their lives.

the periodic activities of the non-material cultural heritage holiday should be combined with the daily life of the people, and the day-to-day and holiday period of sexual transmission should be mutually reinforcing, so as to bring together the points and aspects of the non-material cultural heritage transmission, and so on.

fourth, the pursuit of the original ecological tradition, with little regard for the innovative dynamics of life.

intangible cultural heritage protection in some places is too traditional and too one-sided in its understanding that tradition is the same and secure, that the preservation of intangible cultural heritage is the preservation of the original ecology in their minds, that the one-sided pursuit of the original succulture, that the one-sided emphasis is on the original ecology, that the intangible cultural heritage is varied, altered and destroyed in its transmission, and that it is incompatible with the essence of the safeguarding of intangible cultural heritage.

some places introduced intangible cultural heritage into museums, displaying material material content related to intangibles in windows, such as objects collected in connection with intangible cultural heritage, images, words, etc., highlighting “expositions of objects”, did not present the relationships, cultural sentiments and attributes of life that lie behind intangible cultural heritage, and the preservation of intangible cultural heritage was transformed into the preservation of tangible cultural heritage。is the intangible cultural heritage accessible to museums? it was thought that those projects that were in danger could be rescued and kept in museums, and that the vast majority of intangible cultural heritage protection could not be carried out in the way of museums.

the conservation of the intangible cultural heritage is intended to enable this good traditional culture to live up to its potential in a number of ways, “to explore the ideas, the human spirit and the moral norms of the best traditional culture of china, to integrate artistic creativity and the cultural values of china, to combine the aesthetic spirit of china with the modern aesthetic quest and to activate the vitality of the chinese culture”.

in the process of safeguarding the intangible cultural heritage, “the self-proclaimed, chen chen chen can't be passed on, and the severing of blood and creation cannot be innovative.

the traditional culture of chinese excellence is an important source of cultural and artistic innovation.

intangible cultural heritage is the culture of life, and since it is the culture of life, there should be a pattern of life, a feeling of life, a life of change, development and innovation, a life of emotion and meaning.

if the intangible cultural heritage is separated from the emotions of the people and separated from the life of the times, the living space of the intangible cultural heritage becomes narrower; if the intangible cultural heritage is not developed in a blind manner, it becomes a zero-sum sting, thus placing the intangible cultural heritage in the production practices on which it is derived and inherited, respecting the intangible cultural heritage traditions and making them better integrated into modern life.

it is important to focus both on the presentation of intangible cultural heritage in life and on the nurturing of the soil of existence and transmission of intangible cultural heritage; to focus on the traditional nature of intangible cultural heritage and to promote the creative transformation and innovative development of intangible cultural heritage, which is now the basic approach to the preservation of intangible cultural heritage.

on the basis of an overview of the achievements, experiences and practical processes of the conservation of our intangible cultural heritage, the opinion is of a general and guiding nature in the design of the development of the intangible cultural heritage of the new era.

it focuses on the institutionalized construction of the intangible cultural heritage, the intangible cultural heritage project and the preservation of the heirs, the development of cultural and ecological reserves, the strengthening of the study of the interpretation of the intangible cultural heritage, the introduction of systematic results that will contribute to the construction of the state society, cultural development and the improvement of the lives of the people, the transformation of the intangible cultural heritage, the provision of services for the socio-economic development of the state, the construction of the culture, the establishment of the chinese national community, the observance of a systematic approach to the protection of the intangible cultural heritage, the integration of the intangible cultural heritage into the revitalization of the country with a people-centred concept of development, the promotion of the historical spirit of initiative, open and inclusive mentality, the continuation of the historical history of the intangible cultural heritage, the firm cultural confidence, the deepening of civilizationals and the construction of the practical, ling, academic, academic and theoretical systems for the protection of china'

"in-depth implementation of the intangible cultural heritage transfer development project, with a view to effectively raising the level of systematic protection of intangible cultural heritage and providing the spiritual strength for the full construction of a modern socialist state。it's not like we're going to have to do this.

the development of the intangible cultural heritage of the new era is based on the chinese cultural position, respect for the basic content of the intangible cultural heritage, and the promotion of the transformation and innovation of the intangible cultural heritage and the preservation of the intangible cultural heritage.

(note omitted; see original.

i'm sorry