[Yo Xiaoxian] "King Nam Suguchi"

wang liang is from yangzhou.

her great-grandfather, wang yu hall, has become a classic in his speech, thanks to his co-creation and fine-tuning with four generations of the king's hall, the king's hall and the king's hall.

as a result of the family environment, wang liang can learn to speak as an adult at the age of three.

however, it is a contradiction to keep her from learning the state.

in the old society, the social status of artists, especially women, is low, and the queens do not want their granddaughters to eat the food again.

however, wang li's natural material is the book, “the blood is the genetics of the lian state, and the bone marrow contains the cell of the lian state”.

at the age of seven, wang li tong formally learned to speak to yangzhou with his grandfather and father.

every morning at 4 a.m., wang li's hall begins to practice.

more time is spent in the bookstore listening to grandpa and father.

for a long time in the bookstore, some listeners and wang li's hall became “old acquaintances”.

before the opening, the listeners said, "wako, you do it first!" and took wang li's hall to the stage.

the queen's hall never chickened out, sat behind the table, beat awakeningwood, came today to wu song, and came tomorrow to the stone show, both for grandpa and for father, and made himself exercise.

when he was 10 years old, wang li tong officially came on stage, and he was a young man with great skills in the “round” mouth, with hundreds of words of the word “twirling” in the end of the line; the sound of the sound, the gnawing of the words was clear and strong; the spirit was well-prepared and the rhythm was fast...

wang li's hall has been agitated in yangzhou town and has been hailed as a “ten-year-old red”.

compared to other performers, the quirking personality is difficult.

where a troupe plays, there is always a troupe of an actor; at least there is a partner, even for singing.

it is hard to comment, often alone with a suitcase “run the pier”.

wang li-chun said that she had been running the pier alone since she was 12 years old, that there was nothing to talk about, that the blanket was a bed; that it was even worse to eat, that a box of meals was steamed in her place, divided into three, lunch, dinner, night and night.

as a result, the time spent out with grandpa and father became the best memory of wang li's life.

the queen's hall can have what it is today, and it can't be separated from the words of the grandfather's church.

wang li-ling remembers the performance in nanking with his grandfather and father.

also in the bookstore, the father spoke early on about " shishisu " , wang li's afternoon was about " wu song " , and his grandfather spoke late at night about " song jiang " .

every day after the end of the evening hall, her grandfather left her in the backstage to guide her where she spoke well today and where she was not.

in fact, every afternoon, she said on the stage that her grandfather had quietly moved a chair behind the scenes, hugged a teapot for two hours and was afraid to make a sound, fearing that the king's hall would be nervous.

it wasn't until one day that the old man couldn't stop coughing, that the king's hall realized.

grandfather has also taught wang li tong to read the state and learn not only the leaders of the various parties but also the art of other sisters。it depends on the name, not the name, but on the head of the family, the short of the family, and the “meal food”.

to date, wang li's grandfather has recalled that when she was a child, she took her grandfather to shanghai to visit the famous chinese playr, marion's "su wu sheeps" and to visit the "live wu song" scene.

an eye, a gesture and a body are often drawn from or transformed from other stage arts.

grandfather also used to take her on a tour of famous monuments — not in the mountains, but in nature.

grandfather said that it was important for a book artist to have a view, to say that there were mountains and that there was water, and that only when there was flexibility could the audience feel at home.

after such a long period of instruction, wang li's talk about the perfect art day.

grandfather was forced to die during the cultural revolution.

to this day, wang li's house has held a portrait of his grandfather in his own house.

every morning she talks to her grandfather like that.

ten years have passed before the king's hall has worked hard, while taking advantage of its leisure time, trying to “reciprocate” with memory, and determined to record the king's water spectrum, which must not be lost in his own hands.

she bought small tape recorders and tapes, recording them as soon as she was free, and it took eight years to record wushong, song jiang, ishizu and lu joon-yu.

the head of the unit was impressed and informed his superiors.

with the support of the department of communication of jiangsu provincial commission and the provincial cultural department, four ten-fold copies of her texts, totalling more than 4 million words, were published in 1995.

in 1997, the department of communication of jiangsu provincial commission also set up a special “li'ong quaying arts leadership group” to film wu song, a highly selected and condensed group.

the verse style of the king's hall has inherited both the good traditions of the previous generations and has been constantly innovative and rich in practice.

she's got a real life social news, a common sense of life, a clever integration into her book, and the audience hears it and resonates, so wang li's hall has been hailed as the “kang nam mouth”.

as soon as we talk about the state's comments on the red fire, the look of happiness appears on the face of wang li's hall.

she said that at that time, on a fishing boat by the gange river in town, the voice of the king ' s water wing was playing on a semiconductor radio, and the audience at the books were more enthusiastic.

at that time, wang li's performances were often before people arrived and the 30-day tickets were sold out.

since a 10-year wu song is about to say one day, two hours a day, and more than 70 days a day, wang li hall often has to say two or three times a day.

she has won many prizes in her life, but she has always treated writing books for the people as her greatest happiness and the warmth of the audience as her best reward...

today, the greatest concern of wang li's late seventh year is whether yang can get out of trouble and follow.

she expected young people who wished to comment in the canton to endure loneliness, to practice basic work in good faith, to evolve and innovate on the basis of inherited traditions。many years ago, wang li's book money was donated for the establishment of the young state video club foundation, which was used to reward post-recreational events.

as long as it was for the career development of the länder, she would contribute.

she firmly believed that, with the support of the interest of all levels of government, janzhou would be able to effectively protect and sustain development.

i'm sorry