[Yu Wai Hui] History behind a Lebanese folk singer
wang guang da is the outstanding heir of the lebanese folk song.
this is a reflection of wang qiang's participation in the award presented in 2007 to the distinguished heirs of chinese culture in beijing.
reporter yu wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei wei the song is a mirror to the history of hainan and a picture of the lives of the people of hainan, and its subject matter is very rich and extremely rich.
historic humanities, landscapes, labor production, times and times, social life, marriage and love, ceremonial deity, morality, myths, etc., are all about hunting and singing.
in the first list of intangible cultural heritage protections in hainan province, published recently, there are four items in the category of “civil music”, namely: the song of the lebanese folk singer wang qing dynasty, the song of the cliffs, the choreography and the chorus.
the it is a folk song by the people of the prefecture to express their feelings in production, in life, and to sing for a better life. it is a song by the common people. its origins are now difficult to prove, but its two main elements are certain. the first is the continuous migration of chinese immigrants into the state of cliffs, where there is a folk song on family life, as recorded in the diary of mizudong of the ming-e-ying, “sunshan, say that he is married to a late wife; he is happy to marry his late wife and his former daughter is lonely.” there's also a folk song in ming dynasty hills, "the new queer of love: four words against the city": "how did the needles get off the line?" these two ancient folk songs and the freizhou folk songs: "don't say i wish i could do the same for you. i'll do the same for you. i'll do the same for you. "don't say i wish i could do it. i'm like a kite. i'm like a kite. it's a comparison between the tastes of the same roots. so, in a sense, it could be a living fossil of the ancient chinese. the second is the long-term co-existence of immigrants in the state of cliffs, which has resulted in the country's dialects and folk folklore, with the subsequent evolution or the production of popular, well-spoken, well-known, well-placed, state-of-the-art songs. at the height of our poetry, and at the peak of the post-song won-ming immigration, the country's folk songs have been influenced by many origins of folk culture and the chinese poems, not only in the beauty of the words, the beauty of the mind, the beauty of the singing, but also in the more local art. it is broad and rich in content and covers almost all aspects of people ' s social production and life, and it is closely related to and bound up with the traditional culture of the world, the country, the culture of education, social patterns, the development of production and the culture and civilization of every period. the country's folk songs are rich in content and a wide range of topics, ranging from folk songs to national politics, official government, to people's lives, and everything。the folk singers sing songs, and the words rhyme, and the harmony and the beauty of the song are the same. it usually has a long narrative song, a long life song, a short song and a four-way song. a long narrative song (commonly known as a song under the banner or a great epoch), each of which is a narrative poem. long songs (commonly known as singing medals), which represent the following: " the poor weave the woman " and " ten lovers " . the short song (commonly known as songs) is one in seven words and four words. the short song is mostly improvised, with a great deal of quality and a wide range of singing, such as li deok-yu's name: "what's the name of the horse and what's the name of the horse? the tang sang has been given the name of malling, so that i may learn from you, only because of the narrowness of the sea mountain road, so that i may find my way down." it's also like "audiences to the sea": "a voice to the sea, na to thee to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to thee, to both. these are short songs that have been going on for a long time. to songs (commonly referred to as " answering songs " ), folk have a strong ability to improvise and adapt to singers. at the march 3 party, wang qing heard her song, and looked around the world at << 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 。 this magnificent cultural treasure has been inherited and developed for generations because of poor mountain transport, information isolation and the particular context of the traditional “circumber” society. the central part of hainan island is located in the central part of the central lion autonomous district, where the lebanese predominantly live. at the foot of the parkos hills, a famous lebanese singer named wang yi da was born since the 1950s. born in december 1923 in the autonomous district of the hmong people's democratic republic of the congo and married to the hmong village in 1948. she loved folk songs from a young age, studied them at age 10 with his cousin wang in-fook, and at age 14, when she was 5 years old, she used to be a bride-margin's mistress in order to learn to sing love songs and went to the villages to see them. she was out of school and did not know how to read, but her memory was so strong that she could learn all the songs. in 1946, as a result of the war, she fled with her relatives to the area of ledong, mount five-five. she has learned 32 folk songs and even han family songs. in 1950, he became a member of the dalit credit union and continued to learn to sing folk songs. in the winter of 1954, when she accompanied the bride to the village of maushi, red-haired town, the singers, both male and female, had to win and win the song against her, given the crowd. she sang to them all night long. as a result, the other side was defeated and the name was shaken from the faraway village. the mid-twentieth century was the most active time for singing and creating songs. as a rule, she actively participated in various folk singing events, took the lead in signing up for the games, and received several awards in the songs organized in provinces, autonomous regions and counties。in 1955, she was transferred to the pesha county cultural hall to sing folk songs and shortly joined the hainan national song and dance group, where she travelled for six months. the family members were then left without care and had to leave the group. from 1955 to 1963, she created dozens of lebanese folk songs of the population, the most famous of which were " singing a nonon " , " sing a song without singing what to do " , " the liberation army is so good " , " chairman mao is our father " , " oome a tune " . she was able not only to create new lyrics based on different contexts and objects, but also to improvise a whole new folk song based on a syllable of traditional songs. these folk songs, which she created, were widely circulated in the lebanese area in the 1960s and 1970s, became a well-known tune of folk songs, and were thus dubbed after the song of the hainan li. as a well-known singer and gardener for the development of folk songs, wang yumei (da yumei), a famous folk singer from napa village, was introduced and mentored by wang yumei, who went to beijing people's hall in 1964 to sing folk songs. a lebanese folk song, " thank you to mau zedong " , which gathered for a round of applause, was well received by prime minister zhou. she was mentored by wang yumei, wang yumei, of the village of shih yi, who was awarded many awards in folk songs in the provinces, autonomous regions and counties and became a famous local folk singer. as a result of the appearance of wang xiaotao, dae yumei, wang yuxie, and xiao yumei's four outstanding folk singers, and the many folk songs written by wang yangtao are widely circulated throughout hainan island. as a result, june was hailed as “the land of the lebanese people”. the country has a high reputation for folk songs such as " red girl scouts " , " five red clouds " , " i love the river of the springs " , " chairman mao has come " , " red girl scouts " , and " straw dancing " , " happy foods " , " clown mornings " , " cradle " , and " singings " , which were written by the guangdong national dance group in the 50s and 60s, used the music tone of dance music and songs. as a result of her outstanding contribution, she was invited by the ministry of national culture to beijing in 1979 to attend the national seminar of minority poetists and to participate in the national festival, and was elected as a representative of the chang chongzhou people ' s congress in 1980 and joined the guangdong branch of the china folklore research society in the same year. since the beginning of the reform and opening up, many foreign and national scholars and experts have come to a meeting with the famous lebanese folk singer. in the late 1980s, a japanese musician listened to her folk songs, saying, “the chinese national music is so rich”; in 2001, taylor, director of the austrian national music museum, put up his thumbs while recording her folk songs; and in 2004, a member of the chinese road crew, “china nationals going to hainan”, interviewed wang zhuang, and she was over 80 years old and able to sing with a clear voice, agile thinking and a high memory of the different songs in the sea, calling her a true lean song。a singer who may take away the picture of history forever. p. she is now 87 years old and the most outstanding heir to the song of the lebanese people who are still alive in hainan. she sings a thousand songs, remembers more than 30 different songs, and many other songs lost in her dialects, many of which are unique. it is therefore a matter of urgency to collect and preserve the content and type of song she sings as soon as possible. but a cruel reality is that her days are numbered. a more cruel reality is that, if we do not hurry for rescue and protection, that lebanese folk song, which has been passed on to us, will die with the departure of the elderly and will be an incalculable loss to the civilian culture of hainan. a few years ago, the author began to focus on wang xiao da and her folk songs, when he interviewed the local cultural authorities, who said that funding was the biggest problem. journalists had asked in detail how much they needed to spend, saying that they needed at least to acquire audio- and video-recording tools and that people who understood folk songs needed to be involved. at that time, it seemed that the preservation and organization of the royal folk song, which was beset by financial problems, had become a distant event. moko, a member of the heinama provincial political association and a composer of the provincial folk song and dance group, said that the elderly were old and threatened to leave the world at any time, and that it was urgent to save her folk songs. the meagre power of civil society alone is not enough for climate. even if her granddaughter was studying, it would be difficult to keep it in its entirety without systematic documentation. in civil society, there are many good old folk singers in towns like pasha, lodong and orientale, but the government has not been able to protect, dig and sort them out. as a result of the economic development of these areas, folk songs are gradually changing and disappearing. the task of protecting traditional folk songs is therefore daunting and urgent. the destruction of folk songs has been quite severe in the lehmi mountains in central hainan province. the author goes to the grass-roots level and is often confronted with the situation: the elderly in the area told me that if i had been able to sing a few songs in previous years, i would have had a bad voice. it's only a dozen songs now. moko said that in the province of hainan, the burden of protecting the song of rescue fell on the provincial mass art gallery, but few people actually understood the song. what kind of protection is it that cultural houses at the county and city levels in the cities below do not always have the funds to protect folk songs? there are many slogans in the rescue effort, but few really do it. once these elderly people who have mastered the folk songs have died, their essence will be lost. an expert in folk songs from heinan province said that the ancient songs of the lebanese nation, such as " le herbs " , which wang xian dynasty sang, reflected the spirit and identity of the lebanese nation and provided valuable information for the study of the history of its development, religious beliefs, social practices and moral values. these songs are also one of the more informative, well-sung and melody songs of the hainan li, and have a high academic value for the development of ecological folk songs in the hainan province。you can imagine how great a loss it would have been for the civilian culture of hainan if it hadn't been for the greater protection of the song. the heir to the song of the lebanese people after the lebanese folk song was rated as a national intangible cultural heritage, nothing was more happy than the famous lebanese folk singer wang guang. when the journalist walked into the town of june, telling this news to the 87-year-old folk singer, wang was excited to say, “it's great that the country of the lebanese folk song is beginning to protect, and i'm happy.” on 3 june 2007, the chinese wen league and the china folklore artists association held a solemn ceremony at the beijing people's hall, naming the first 166 prominent chinese folk cultural heirs. wang qing dynasty, the queen of the leigh song, was awarded the title of china's "culture cultural legacy" and received medals and certificates. in january 2008, the ministry of communication of henan province and the department of humanities of the province jointly organized a training course on the songs of wang xiaoxiang in conjunction with the government of the state of jonglei. the provincial authorities have also been active in the collection of folk songs for the elderly, producing a book for the lebanese people of wang qing dynasty and producing video materials for preservation. it was explained that, in order to protect this lebanese singer, in september 2007, the central lion autonomous district of jonglei decided to grant wang zhuang a life allowance of $150 a month for outstanding contributions to the national cultural heritage and to bring the elderly regularly to hospital for medical treatment. when he left, wang said to the reporters, “i was very worried about the lebanese folk song being unsung, and now the state is protecting it, and the authorities in the province are paying attention, and i am not worried about the folk song being unsung, so that more people sing, and i will teach them.” i'm sorry