Tibetan national culture is popular on the Internet. Badji sings Tibetan version of likes you at the university canteen

At around 11 o'clock on March 16, a flash show was staged in the canteen of the new campus of Xizang University. The Tibetan version of "Like You" by Bian Badji, an actor of the Xizang Tibetan Theater Troupe, gave the Tibetan University students a sudden dual enjoyment of both hearing and vision. The students also joined in and used their bright smiles to give back the beautiful singer's singing voice. The atmosphere at the scene was very warm, and the students were not only fascinated by it, but also sang along. The flash video was immediately uploaded to the Internet, and in just a few days, it received more than 10 million clicks. It can be heard everywhere in the streets and alleys of Lhasa, and many cities such as Beijing, Shanghai, Chengdu, and Taipei have been praised by people.

Bian Badji said: She likes singing and likes the songs of Beyond the best. She said: "Music is common. Although everyone cannot understand Tibetan, they will be infected by music. I didn't expect the video to be so popular either. The main reason is that the flash show has a novel form, the songs are quite classic, and more Tibetan songs will continue to be covered.

Introduction to Bian Badji

Bianbadji grew up in an ordinary Tibetan family. His mother was an actor in the Tibetan opera troupe, and his father worked in a Tibetan medicine factory.

Bianbadji (Tibetan) studied in the Art School of the Sichuan Opera School Branch of Sichuan Province and the Tibetan Opera Troupe of the Art Department of Xizang University. He is now an actor in the Tibetan Troupe of Tibet Autonomous Region. Like every Tibetan girl with dreams in mind, Bianbadji's six-year study career has been publicized and his youth bloomed in the rhythm of Tibetan opera known as the "Snow Region". Sing like breathing, bloom like green buds, and enjoy your dreams in ordinary life.

As early as around the 12th and 13th centuries, monographs on Tibetan ethnic music appeared, such as "On Xizang Music" by Sagya Bandazhi Gonggejianzan. The ancient Tibetan graphic music score-Yangyipu is still preserved and used in the temple. Tibetan traditional music has distinctive characteristics and diverse varieties, including three categories: folk music, classical music, and religious music. Folk music can be divided into five categories: folk songs, song and dance music, rap music, opera music, and instrumental music. Religious music includes chanting music, religious ritual music and dance Qiang Mu, and temple instrumental music; classical music Gar is only passed down in the Potala Palace in Lhasa and the Tashilunbo Temple in Shigatse. Folk music occupies a dominant position in traditional music. The folk songs of the Central Committee include folk songs (pastoral songs), labor songs, love songs, custom songs, and chanting scriptures.

Since the founding of the People's Republic of China, especially after the democratic reform in Xizang in 1958, Tibetan music and culture have developed greatly. Various regions have successively established mass art halls and professional cultural and artistic performance units, such as the Tibet Autonomous Region Song and Dance Troupe, the Xizang Tibetan Troupe, the Qinghai Province National Song and Dance Troupe, and the cultural and artistic troupes and teams at the prefecture (prefecture) and county levels affiliated to each province (region). They have carried out a lot of work in creating, performing, collecting and sorting ethnic and folk music. Famous Tibetan opera artists include Tashi Dunzhu (deceased), Ama Tsering, etc.;"The Legend of King Gesar" rap artists include Zhongke Zaba Yumei, etc.; folk singers include Amaya (deceased), Qiongbuzhen (deceased), Anne, etc. Singer Caidan Zhuoma, composers Baideng Langji and Gesandaji, conductor Ozhu Duoji, etc. are professional music workers trained after the founding of the People's Republic of China. Han composer Luo Nianyi and others have long been rooted in the plateau and made valuable contributions to the development of national music.