China's ancient customs and culture
this period is characterized by openness, luxuriousness, fragmentation and pragmatism.
take a look at the specific description:
1.
open <
is a “open” society at a time when the feudal society is rising and booming; its openness is characterized not only by political systems, ethnic policy, diplomatic relations, etc., but also by civil rites and customs.
this openness is best reflected in the marriage practice.
a royal decree has been issued prohibiting women from marrying again.
the book of monsignor gaozu says: “a wife of nine and a concubine of five may not be remarried.” although only for the ruling class, the edict quickly turned into a dead letter under the weight of a strong open and free society.
"as a matter of courtesy, the secretary-general died and was married to his children by his concubines." the sister of the emperor, princess lama, remains “a first-in-laws king and filial, and later a willow.
not only has the dahir of remarriage been unable to “rule the country”, but not even the “family”.
in tang dynasty, women in the upper echelon are even less ashamed of remarrying, when 28 princesses were remarried, 25 of whom were remarried and 3 of whom were remarried.
the same is true for the ruling class and for the civilian population.
the open character of tang society is also manifested in its inclusive nature, which actively incorporates foreign customs.
the tang dynasty had political contacts and economic and cultural exchanges with hundreds of countries and regions, which had made don well-being the centre of the world ' s cultural exchange in the metropolitan area of the world at that time.
against this background, many of the neighbouring communities have been attached to tang ting and moved to the interior, and many businessmen and scholars from western countries have come to the grand tang, sometimes for long periods of time.
their customs and customs affect to a certain extent the social life of the dynasty of tang, enrich the cultural content of the tung tong customs, and further develop, complete and more diverse indigenous customs.
in china's custom history, zhang liangcheng has included the han wei and the tong five in the era of insolence, considering that there is nothing more luxurious than this in our history.
he cited the beauty of the chinese food and clothing and the variety of names, which illustrated the corruption of society at the time.
in fact, the luxuriousness of the chinese custom has many manifestations.
for example, “the practice of marriage is about luxury” and “as for funerals, the chinese are particularly luxurious and ceremonial.
the luxurious features of the luxurious past, especially in china, have been concentrated on luxury consumption.
since then, entrepreneurship among the dominant landlord class has further deteriorated and has been replaced by financial gain in pursuit of a life of its own.
"at times, a high-ranking man, yuna, bribed him, became a custom" old tang sing sing sing.
this is a reflection of this.
not only is it in the palace and in the first house of ministers, but it is also spreading to other classes and classes through the landlord classeven bureaucrats who are honest and respectable are not immune to their habits, such as dowu, bai jiu yi, li deok-woo and others, who are competing to buy a “gang-sung courtyard” and to pursue the “thou-soo wonders”.
3.
the two generations of this core itself is the product of a hohan hybrid. since li ilcheng, the father of li ying, married three generations from generation to generation, the emperors of tang were of mixed blood. li ying, the father of li il chai and lonely sons, and li yin and di, the father of the great zong li shimin, and the father of the grand sun, gao zong liji. from a biological and genetic point of view, the descent of the offspring of the spouses is mixed once each marriage, as is the case at the upper and lower levels. this hoo-han hybrid in the field makes the basic culture of the tang dynasty, although it is still the mandarin, but it is the custom and the way of life. “the rate of deformation is the best in the west: costumes, meals, palaces, dances, paintings, competitions; all aspects of the extremes of society are hidden, and the good ones are not only the emperors, but also one or two high-ranking officials. practical 4. the luminousness of chinese culture has largely benefited from a sense of social pragmatism. whether it is a succession to the traditional culture of the previous generation or an absorption of the foreign culture, it is based on the needs of its own dominant culture and is highly practical. for example, the tang dynasty's approach to foreign culture has introduced a variety of elements, including music and dance, religion, medicine, astronomical law, arithmetic, preciousware, diet, and sculpture, which are selective and complementary in nature and are generally in line with the weighty proportion of the development of their academic culture. the penetration of the original, savage, ancient and real cultural spirit of the minorities of the north also served as a silence for the then scribes to abandon the ideas of the wei jin era and to speak out. the practical features of the customs of are, first and foremost, the fact that the customs of this period have been liberated from the taboos, superstitions, euphemisms and mystiques of the previous period and have become more realistic, pragmatic and a daily norm of conduct that guides people to enjoy and enjoy. the above four points do not cover all the features of the customs, but they are the most general. i'm sorry