Dragon Boat Festival

Every year, on the fifth day of the agricultural calendar, the traditional Chinese festival - Dragon Boat Festival (Dragon Boat Festival), also known as Teyang Festival, Day Day, May Festival, etc., are known as more than 20 Fahds, according to statistics.

There are five festivals at the end of the day, the festival of the sun, the festival of the heavy weight, the festival of the midday, the festival of the summer, the festival of May, the festival of the dynasty, the festival of the canals, the festival of the bathing grounds, the festival of the Qur'an, the festival of the noon days, the festival of the daughters, the festival of the Dynasty, the festival of the poets, the day of the dragon, the day of the noon, the festival of the light, the festival of the five eggs, etc.

At the end of the afternoon festival, which originated in China, it was the Chinese people's holiday of disease and disease control, and the custom of holding tribal totem rituals in the form of a Dragon Boat competition at the beginning of May, before the spring and autumn of the land of U Viet Nam; since the death of a poet on that day, it became the traditional holiday of the Chinese people in memory of Kuihara; and in some areas there were also accounts of the commemorations of Wu Zhui and Cao Tha.

The afternoon festival is also one of the official holidays of the Chinese State and is included in the World List of Intangible Cultural Heritage.

The vastness of China ' s territory, its ethnic diversity and its many stories and legends have not only created many different names, but also different customs.

The main ones are: daughters returning to their mother's house, hanging bells, ghost ships, hiding from the afternoons, leaves of the midday, flair, alegrass, disease, fragrance, fragrance, cattle, the canoes, bimbo, batting the ball, swinging the swings, painting the children with yellow wine, drinking the wine, eating the venom cakes, salted eggs, twigs and twilight fruit.

Today is our traditional midday festival, where the origins of the afternoon festival and the origins of the festival are numerous, with the most wide-ranging effects of the memorialism.

It is written in the Episode “Crutinian” and is the Minister of King Chuhuai during the spring and autumn period.

He advocated good-faith, strong soldiers of rich countries, and strong leaders who fought against Qin, and were dispossessed from their posts and driven out of the capital, exiled to the valleys.

In exile, he wrote the invincible poems of Queer, Heavenly Question, Nine Songs, etc., which are unique and far-reaching (thus also known as Poetry Day).

In 278 B.C., the Qin army attacked the capital of Chu.

On 5 May, after seeing his own country invaded, with a heart cut, he refused to abandon his own country and after writing the final writing of " Wisha " , he died, writing a magnificent musical act of patriotism in his own life.

After the death of the legends, the people of Chu were in a state of great grief, and they came to the border of the Yangtze River in order to hang themselves.

The fisherman boarded up a boat and came up and recovered his body.

One fisherman threw food like rice, eggs and so on in the river, which he said was enough to eat the crayfish, so he wouldn't bite the doctor's body.

People are following suit.

An old doctor poured a bottle of wine into the river, saying that he was going to take the medicine to the dragon water beast in order not to harm Dr.

Kuo.

Then, for fear of eating the rice pack for the dragons, people came up with twig leaves to wrap their food, twirl and grow into brown.

I'm sorrysince then, in early may of each year, the dragon canoe customs of fertilizing, eating stings and drinking wine have been observed as a memorial to the patriot poet.

the second legend to commemorate the afternoon festival of wuzu said that it was widely spread in the area of jiang zhe, and that it was for the spring and autumn period (770 b.c.

to 476 b.c.).

wu zhu, a well-known member of chu, and his father and brother were killed by king chu, and his son later turned away and went to wu guo and helped wu bae tru.

when king chuping was dead, his son excavated 300 lashes to avenge his father's death.

after the death of wang zheng, his son was taken over, his morale was high, he won all battles, he lost the country, and he did everything he could to make peace.

he suggested that viet nam should be completely eliminated and that he should die as a result of his death.

he was loyal and died, and before he died, he said to his neighbour: “after i died, i dug my eyes out of the eastern gate of wu king to see the vietnamese troops enter the city to kill wu.” he died from his own anger, and the corpses of his son were put on the river on may 5 in leather, so the day of the noon festival was passed to commemorate the day of wu zhu.

the third legend to commemorate the new year's day of the queen cao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhao zhuang (23-220 a.d.) the father drowned in the river and did not see the body for several days, when his daughter cao was only 14 years old and cried day and night along the river.

after 17 days, he fell into the river on 5 may and took his father's body five days later.

a myth was told, then sent to the governor of the county, for which the decree had been laid, and his disciples had been glorified.

the tomb of cao cao, the daughter of zhejiang, was later handed down to the emperor.

the latter, in commemoration of the festivities of cao ta, built the temple of cao ta, where she went to the river, where she lived, and where she was killed, she was named cao tang.

thus, the celebration of the noon festival is also a day to commemorate the daughter of cao.

a large number of archaeological and archaeological studies from the ancient totem offerings confirmed the existence of a geometrical relic of a cultural remnant in a vast area of the yangtze river in the era of new stones.

the survivors belong to a tribe which, according to the expert, is known as the bronx, the totem tribe of the dragon.

tattoos and historical legends on earth-blowing pottery indicate that they have the custom of cutting off tattoos, living in water and being descendants of dragons.

its means of production are in large quantities stoned, and there are also small coppers such as shovels and shovels.

in the jars of the altars that are used as means of subsistence, the tatters of cooking food are unique to them and one of the symbols of their community.

until the time of qinhan, there were hundreds of people in viet nam, and the festival was the festival they had created for their ancestors.

this statement comes from more than one of the so-called midday exams and midday history education.

in his view, early may was the day when the totem offerings were held by the tribes of the dragons of the ancient wu viet region.

otherthe main reason for this is that two of the most important events at the

(i) midday festivals are for the dragons.

the stings are often stolen by the dragons, while the competition is for the canoe.

(ii) this is especially true of the relationship between the contest and the ancient wu viets, and also the custom of the u vietsun people to have their hair cut and tattooed like a dragon.

(iii) the ancient folk custom of the 5th day of may, which uses the `four ribbon arm', should be a relic of the `long-like' custom.

at the end of the day, it was forbidden to say, "p", "p", "p", "p", "p", "p", "p", "p", "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p," "p", "p," "p," "p," "p," "p," "p," "p," "p," "p", "p", "p," "p", "p", "p", "p", " , "p", "p", "p " , "p" "p", "p", "p", " , "p " p " , "p", "p", "p" " , " p " p, "p", " p " p " p " , "p", "p", "p", " once raised, the father and mother are harmed.

there have even been statements such as “may to be a judge and never to be removed”, “may to build a house, to be bald”.

at the latest, the practice began to prevail in the war-torn countries and has continued to prevail in the handai region.

this custom is well documented in the king of han ' s book of balance, the code of practice and the post-handbook.

in fact, this is due to the heat of the summer, the vulnerability of people to disease and the epidemic, and to the fact that snakes breed and are vulnerable to bites, it takes great care to develop this habit.

mr.

yellowstone was the first promoter of summer and the speaker of summer, who, in 1963, in his book the history of the good mitzvah (published in 1963 by the qinxiang book office of hong kong), suggested that the festival of noon had its origins in ancient times, that the three generations had become river currents, that qinhan had expanded into a river, and that tang song na hae river had become a lake.

the

midday festival originated in summer and after the news, and scholars began to study from a broader perspective.

in 1983, mr.

liu deok-kyung, in another speech from the beginning of the afternoon (study of history, no.

5 of 1983), considered that the afternoon had come from summer, commerce and the summer of the weekly period, and suggested that the festival at the end of the day “doing with grass”, “putting with impurities” and so on had nothing to do with quiwon.

liu deok-hyun, in his "nun's" and "china's traditional festival talk", gave three main reasons:

(i) when he was authoritative, he did not mention the festivities of the fifth of may, but wrote them in the summer to festival.

as for the competition, the book of the jade candles, which was made by the minister of state, has included it in the summer-to-day entertainment, not necessarily in order to save the great poet who had fallen into the river.

at the end of the day, some of the elements of the custom, such as “treading grass”, “blowing weed” and “breding impurity”, are not, in fact, relevant to the original.

(iii) the first interpretation of the mid-day festival, “the mid-day festival is the middle of summer, so the mid-day festival may be called the mid-day festival”.

the earliest days of the festival were summer.

at an international colloquium held in seoul, south korea, in december 2006, mr.

ho sung-lang, a researcher at the institute of ethnoological anthropology of the chinese academy of social sciences, once again perfected the summer and the afternoon festival.

i'm sorry