LEE Baek-shang-sang-sang-soon
the words of the great poet lee baek's fragrance have been recited for centuries.
it's about the day tang hyun-sung and yang were watching the police at the zhuang shao-chang tsin, and the singer lee toyu-nin led a group of musicians to sing.
tang hyun-sung said to tori, "how do you sing the old words to the bride?" i'll tell you what, call li bai to write a new word." lee hao arrived in a well-known liquor store on chang an street to find him.
li ba-jung and a few of his people were drunk.
when lee tortoise conveyed his message to him, he was drunk and fell asleep.
the decree was not to be mistaken, and tortoise lee had to drag li baek to the front door of the palace, then to the left, to the right, before tang hyun-sung.
when he was drunk, he told him to go to the jade bed to rest, and he told him to bring up the wine and soup, and the princess yang told him to spray it with cold water.
li baek lies in the jade bed, stretches his foot to the gorist and asks him to take off his boots.
i had no choice but to take my stomach off for him and get busy before li bhai woke up from a drunk dream.
tang hyun-zhong told him to write a poem to help him.
lee baek wei smiled, picked up a pen, less than a fragrance, and it was written in three words: (i) "the clouds want to look for flowers, the spring wind is so strong." if we don't meet in the mountains, we'll meet in the moon.
(ii) a red, fragrance, and a fragrance.
let's ask han's court, who's gonna look like? poor feiyan is looking for new makeup.
(iii) quite a party to each other and a smile to the king.
explains the unending hatred of the spring wind, the fragrance of the north.
these three poems, which interacted between the police and the princess yang, are the flower of man, the flower of man, the face of man, and the face of man.
structurally, the first is written from space and introduced to the moon palace.
the second one, written from time to time, introduced king truly's balcony, han sung-tye court.
the third turn is to reality, to point out the beauty of the tang palace.
the first spring wind and the third.
in the first sentence, when you see a cloud, you think of your princess's raisins, and when you see a police flower, you think of her.
the next sentence is lavish and further dazzling, filamenting and flairing in the glare of dew.
the next two lines imagine the world of the fairies of the mountains, the towers and the moon, where the princesses are compared to the ladies.
the second point points out that king chu is the goddess of the middle east, and that is the perfect woman.
besides, han sung-dee's queen zhao fei-yan has to rely on new makeup, which includes a beautiful princess who doesn't need any powderIt's natural.
It's a place to raise the princess to lower the goddess and Zhao Feiyan.
The third sentence, the first and second, combines the police, the Princess and the Hyung.
In the third sentence, the word "spring wind" is the word for kings.
Tang Hyun-Sun was pleased with this poem, and it was fabricated that he was humiliated when he took his boots out of his shoes because of Lee's life, and went to Yang's house, saying that it was unreliable to say that Li Bing was so thin, so fat, so bad, so bad, so bad, so bad。