Maunan folk legends: the inspired legends of the Maunan monkeys

it has been reported that a family lived in a woody, mountain-water show, and that the husband died early, leaving three sons behind, and that his wife, one of them, suffered hard work in order to collect wine from the mountains to make a living.

one day, the three brothers went to the mountains to pick up the qingkokokos, and it was not until dark that the two brothers found out that their brother was missing, went home to call their mother and neighbours in the village and went up to the mountain in flames, but for three days they could not find him.

his mother sheds tears every day and for a long time, crying out his eyes.

the little boy, who found his brother missing and was so scared that he was crying all over the mountain in search of his two brothers, went into the middle of the forest, lost his way home, fell into the cave when he accidentally fell into a cave where monkeys lived, where he lived with monkeys, where his little son lived with monkeys, played with them, ate wild fruit from the monkeys and became thirsty.

over the years, the child's body grew hairy and learned the language of the monkey, not even the original.

many years later, the child's mother, who had longed for her son, was depressed, and according to the national customs of the maoists, on the day of her burial, was going to sacrifice the dead man with a brass drum, a low-strung copper drum went to the hills and went a thousand miles away, a young son who was playing in the monkeys heard the sound of copper drums familiar from his hometown, found his way home by the drums, went to a place not far away from the village, saw the sound of copper drums coming out of his own house, picked up an empty tree in front of his door, started burning on the side of the casket, came to her mother's death, ran to his home, but only after he had come to the door, found his family unable to recognize himself to speak, and only sounded like a monkey, and he was standing in front of his mother's head, crying in front of his head, crying in front of his head, crying in front of his head, crying in front of his family's face, crying, crying over his brother's in front of his brother's eyes, crying, crying, crying, crying, later, in honour of their dead loved ones, the maoists used the skin as a hand-drum, turning the legend of the three brothers into a form of national dance to commemorate their deep feelings for their loved ones, which later became the cultural classic of the maoists — the “monkey inspiration”.

in addition to the copper drums to be used to sacrifice the dead family members, the maoists must express their memories of their loved ones, whose rhythms are high and funny, and gradually evolve into the traditional dance of the maoists during some of their festivals。