[Wang Pizhuo] Classification codes and compilation rules for intangible cultural heritage
The census of intangible cultural heritage is a basic task that involves a wide range of areas, has a large workload, and has a long time span.
The effective protection of intangible cultural heritage must be based on in-depth investigation and scientific planning.
Whether the census work can be comprehensive and in-depth and meticulous is directly related to the success of the protection work.
Find out the family background through census, form accurate and detailed survey materials (protection questionnaires, audio-visual, charts, etc.), and establish intangible cultural heritage protection archives and databases and intangible cultural heritage websites.
This not only requires a high sense of historical responsibility, but also requires Scientific working principles and methods.
To this end, in order to unify and standardize the census work of intangible cultural heritage across the country, the Ministry of Culture conducts standardized records and collections of census objects, and standardizes and serializes the data (text, pictures, audio-visual, etc.) and objects obtained during the census.
Registration, archiving, and preservation, reasonably classifies the census pairs and assigns classification codes.
1.
Principles and Methods
Under the guidance of the National Statistics and Standardization Management Research Institute, relevant departments of the Ministry of Culture, and experts and scholars, we have referred to the classification code compilation principles of some national standards currently widely used in my country, and learned from national censuses such as population, economy, cultural relics, etc.
Experience and relevant classification principles such as national social sciences and China book classification, in accordance with internationally accepted coding methods, and fully taking into account the development trend of computer retrieval and digital management, The classification and code of intangible cultural heritage have been compiled.
The classification and coding of intangible cultural heritage adopt hierarchical classification and digital coding form.
2.
Classification code structure
The classification of intangible cultural heritage is divided into two levels.
The first level is divided into 16 first-level categories according to subject areas, and the second level is a second-level category subdivided below the first-level category: each second-level category below the first-level category has an "other" category as an accommodation category.
The classification code structure adopts a three-digit number code, of which the first two digits represent the first-level category, the third digit is used for subdivision of the second-level category, and when the third digit is the digit character 9, it represents the containment category.
3.
Classification and Code Table of Intangible Cultural Heritage
(1)
Nuo and ritual operas
066
national languages
01
Puppet operas
067
(2)
other
069
Folk literature, oral literature)
02
(7)
myth
021
quyi
07
legend
022
storytelling
071
story
023
singing
072
ballad
024
Scherzo
073
epic
025
other
079
long poem
026
Bar Mitzvah
125
proverb
027
wedding
126
riddle
028
(8)
other
029
Folk acrobatics
08
(3)
acrobatics
081
folk art
03
magic
082
painting
031
circus
083
sculpture
032
Qiao makeup drama
084
process
033
funny
085
building
034
other
089
other
039
(9)
(4)
Folk handicrafts
09
folk music
04
Tool and machine making
091
folk songs
041
agricultural and livestock products processing
092
instrumental music
042
firing
093
dance music
043
Weaving, dyeing and sewing
094
Opera music
044
metal crafts
095
quyi music
045
Braiding and binding
096
other
049
lacquering
097
(5) Folk dance
05
Papermaking, printing and binding
098
Life customs dance
051
other
099
Annual festivals and customs dances
052
(10)
Life etiquette dance
053
Production and trade customs
10
Religious dance
054
agricultural
101
Production custom dance
055
forestry
102
other
059
fisheries
103
(six)
hunting
104
Opera
06
Breeding and livestock husbandry
105
Opera types with the Qupai system
061
trading
106
Traditional operas based on banqiang style
062
sideline
107
Opera dramas with a comprehensive system of Qupai Banqu Opera
063
other
109
Ethnic minority operas
064
(XI)
Folk opera types
065
Consumption customs
11
clothing
111
temple fair
144
diet
112
Witchcraft and Taboos
145
living
113
other
149
traffic
114
(15)
other
119
folk knowledge
15
(12)
medical and health
151
etiquette and customs of life
12
phenological phenomena
152
pregnancy
121
disasters
153
childbirth
122
mathematical knowledge
154
Birth and naming
123
measurement
155
Full moon, 100 days, one year old
124
Chronicle
156
Birthday ceremony
127
create
157
funeral
128
other
159
other
129
(16)
(13)
Entertainment, traditional sports and competition
16
year-old Festival
13
indoor games
161
Han festivals
131
Courtyard game
162
Ethnic minority festivals
132
smart game
163
other
139
Boosting games
164
(14)
gambling game
165
folk beliefs
14
Saili Athletic
166
primitive belief
141
Skills competition
167
belief in secular gods
142
vaudeville competition
168
ancestral beliefs
143
other
169
4.
Rules for the compilation of intangible cultural heritage identification codes (1) Compilation principles
In order to survey, protect and utilize intangible cultural heritage, it is necessary to uniquely identify the census objects of intangible cultural heritage.
Therefore, each census object of intangible cultural heritage must be assigned a unique identification code in accordance with the agreed identification code compilation rules.
Referring to international practice and combined with my country's actual situation, when coding and identifying specific objects involved in intangible cultural heritage, the basic principles to be followed are: using all-digital identification codes to ensure the uniqueness, statistics and ease of operation of the code; The code position is fixed to 14 digits to facilitate the aggregation, processing and exchange of information; the code assignment only identifies the intangible cultural heritage resource itself, but not its carrier form or attributes; Make the code as scientific, concise and stable as much as possible, so that it is easy to identify, easy to maintain and manage, and leave room for possible additional coding objects in the future.
(2) Coding structure
According to the above principles, the coding structure of the intangible cultural heritage identification code is: ontology code + verification code.
The ontology code and the check code are connected in turn without leaving spaces.
Among them, the ontology code consists of 13 Arabic numerals, and the work is divided into three sections:
The first paragraph is the national administrative division code, quoting the national standard GB/T2260, using 6 Arabic numerals to express the administrative divisions of counties and above, and limits the census objects of intangible cultural heritage from a geographical scope;
The second paragraph is the classification code of intangible cultural heritage, which further limits the category scope of intangible cultural heritage census objects, expresses it in 3 Arabic digits, and adopts the classification code given in the "Intangible Cultural Heritage Classification Code Table";
The third paragraph represents the registration serial number of intangible cultural heritage census objects of the same category within the same geographical range, which is fixed to 4 digits, and the coding starts from 0001 in order.
The check code is 1 Arabic digit.
Produced in accordance with the relevant regulations of national GB/T7710-1999.
Since intangible cultural heritage resource data will face the situation of being entered twice during registration, summary and search and query, in order to verify the correctness of the ontology code and avoid errors, a check code is specially set up.
The calculation method is as follows:
Step 1: Determine the code position sequence numbers of each code, including the check code, in the code from right to left (the code position sequence number of the check code is 1, and the others are 2, 3...
14 from right to left);
Step 2: Starting from the position where the code position number is 2, find the sum of all even-digit codes;
Step 3: Multiply the sum in step 2 by 3;
Step 4: Starting from the position with the code position number 3, calculate the sum of all other odd-digit codes with the code position number 1;
Step 5: Add the results of step 3 and step 4;
Step 6: If the digits of the sum obtained in step 5 are zero, the check code is 0; if the digits of the sum obtained in step 5 are not zero, subtract the digits of the sum obtained in step 5 from "10", and the resulting difference is the check code.
(3) Examples
The census object-Yangjiabu Woodblock New Year Painting No.
101, Hanting District, Weifang City, Shandong Province, its ontology code is 3707030310101.
Taking the check code whose ontology code is 3707030310101 as an example, the following table shows the relationship between the check code and the ontology code, code position sequence number, even bits and odd bits in this example.
Check code calculation example
ontology code
check code
Code Position Serial Number
14
13
12
11
10
9
8
7
6
5
4
3
2
1
code example
3
7
0
7
0
3
0
3
1
0
1
0
1
X
even bit
3
0
0
0
1
1
1
odd bit
7
7
3
3
0
0
The check code calculation steps in this example are as follows: 1, 1+1+1+0+0+0+3=6;2, 6×3=18;3, 0+0+3+3+7+7=20;4, 18+20=38;(If the digit number is 0, it is a check code, and there is no need to check the next step) 5, 10-8=2.
Therefore, the check code in this example is 2, that is, the value of X in the table is 2.
To sum up, the complete code of No.
101 of Yangjiabu woodblock New Year painting in Weifang is: 37070303101012.