傈僳 Traditional folk song culture
the folk song has always been an artistic activity of the zhao people.
in its own words, it is “no salt, no singing”.
the folk songs are almost the “second language” of the zen people, who sing, even sue, or mediate, in all kinds of productive activities, as well as when they are married or wed, and are often dealt with in a syllable way, with their multisound unaccompanied syllables referred to as “the canyon sky”.
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among them,
is one of the most important and widely popular folk songs of the 傈僳s, which was spread to the 傈僳s concentration area of the jaejiang autonomous region of yunnan province and was added to the municipal list of intangible cultural heritage conservation in 2007.
the wood shaving in the verbs, which refer to all the songs and tunes, became a feature of the old narrative.
other wood-scratching songs, curvatures and content, such as a foot-scratch (goat) and a scrunch (tricholy) wood.
the wood scratches are mainly used in traditional narratives of a serious content and a dignified atmosphere, and often sing at times and places such as national festivals.
representational songs such as genesis, productions, shepherds' songs, escape marriages, etc., are simplistic, deep, cold and ancient.
the
wood shaving is usually divided between middle-aged and senior-aged men, with their legs around the fire ponds, and they sing as male and female.
each of them sings with one lead singer, and the other sings, and the other sings, and the other sings and the other sings, and sings with wine and drink.
wood shavings also have a competitive character, which often lasts for days and nights when both singers are able to sing.
the ancient song of the zen tradition, which is sung with wood, covers a wide range of subjects such as ethnic origin, human reproduction, productive life, trophies, relationship marriages, religious beliefs and inter-ethnic relations.
it recreates a broad picture of the history of the zen society and has a high level of awareness and aesthetic value.
a long narrative song, "running" , reflects the "birth to bed" and "cow to bed" marriage practices, social habits for freedom and love to escape from marriage, the killing of sheep, the swearing of dogs, the blood bet, and the primitive beliefs of the peoplethe level of social productivity, production, etc.
of inter-ethnic relations, solidarity and solidarity.
the song and dance of "the goat's song and dance" or "leave the goat's song" is the traditional and recreational traditional song and dance of the yunnan tribe.
historically, the hao have long been in semi-farm and semi-pastoral production, and goats are domestic livestock with close links to their productive lives.
“accompanying” (the song and dance of goats) is a reflection of the production of life and of the mental feelings of the tribe.
they are synthesized by lead singers, acoustics and accompanies. the dancers are in two teams, male and female, holding hands or cuddles, and they dance in large circles, half arcs, straight columns, curves and interpolations. there are six different tunes at for “a ruler scraping”, which are based on simulating goats' barkings, and music is sung with tremors, especially at the beginning, and the sound is loud and long, the tunes are mutated, and there is a rich feeling in which people listen as if they were in high mountain pastures, as if they were talking with goats. singings are so rich that they can sing the traditional content left by their predecessors, and they can also make up for themselves. the “ajeckey scratch” is a dynamic, unique, highly popular, ecological and artistic value. in 2006, the state council approved the first national list of intangible cultural heritage. but with the passing away of the old singers, fewer people are now able to sing the whole story of history and long narratives. if rescue and excavation are not carried out in a timely manner, and the young generation of singers is nurtured, shaving will be left without any follow-on. "showing" and "ewie" are the two most representative types of song in yunnan province. this is widely shared in the zhui shui district and in the zhuang zhui district, and is celebrated in general and on festivals, the celebration of harvests, and the marriage of a man and a woman. a man and a woman who sing in groups can also sing by one. the song is divided into "do me" and "do me." the main song of "do me" is the traditional chronicles, and the "me" is based on the improvisation of the person to whom the song is directed, with love and current events as its main focus. the songs are "swisted bamboos", "little memory" and "the orphan tears". the annual "showing pond" is a big event for the chorus. i'm sorry