Hmong wedding cultural ritual
the hmong marriage ceremony
the location of the cruise, known as the slope, must be open. the young men and women know each other in the travels and then learn about each other through love songs and individual contacts until a relationship is established. "strike": the way in which young people from the hmong community like guiyang and hibaku. in the "jumping field", the boys circle around and dance with a blow. when the girls watched the scene, they pulled out a long strap to a man's waist belt to show affection. the young man, if he looks at it, puts down the embroidery ball and leaves the dance floor. “stomp on the moon”: the hmong tradition of love in winning. in the evening, the boys came out of the house with twigs or leaves and came to the hillside or high ground, singing and teasing girls. when the girls heard, they went out with the boys and said, "stomp on the moon." < carpets " : the tradition of love in the north-west hmong-populated areas, with girls dressed and haired and playing at the opera. the boy chases the girl and runs. if you catch up with a girl, you pretend to rob her hair, and she's willing to let the boy take it, which is a sign of affection, and vice versa. "swisted backbands": story forms for young people of hmong ethnic group in weaverland. every year, on the slopes, young hmong girls carry their backs to the field. a beautiful pattern of embroidered backbands, indicating that you did not select an object. the young men measure whether or not they are handy in the form, color, style, etc. of embroidery on their backs. young men and women sing and talk to each other on the slopes. after a period of time, each of the two sides is in favour of the other, and each of the parties may choose to enter into a marriage on the day of karma. “fire wood, eat a meal”: the form of love among hmong youth in the viinen area. at the beginning of the year, the girls in the neighborhood were busy with the oil, salt, wood, rice, meat, and so forth, while the unmarried boys blew up their food. a young man can stay for a few more days if he meets someone he likes. if she is not, she continues to eat for years and chooses the person she wants. “hand-strangling”: the form of love among the young hmong men and women of pineapple. in traditional festivals such as april 8 and the dragon boat festival and other chorus events, a man's affection for a woman, through a number of hymns, reaches out his hand and squeezes her small finger to test her attitude. the woman responded by saying that she accepted the man's feelings and refused to listen if she did not want to. the custom of marriage is the custom of the hmong marriage, whereby the bride returns to her mother's home when she marries her groom. in the south-east region, the delivery of the bride to the door is the most ceremonial of the hmong wedding. on the third day after the engagement, the bride's house sent a few girls to bring the bride's clothes, and the groom's house actively sent the bride home with two jars of rice, two pigs' legs, a pick of rice, a pick of rice and two sieves with sieves and ducks. some have to pick up some rice. then, at the request of the woman's parents, he will invite the young men and women of the family to escort the bride homejoin the escort. on the night of her return to the bride's home, the bride's parents present themselves at a banquet and invite the young men and women of their family to accompany her. in the room, the guests' singers began to sing the hmong songs, to question each other about the history of the nation and to drink to each other, which was an excellent opportunity to learn and impart knowledge of hmong history and culture. after breakfast the following day, the guests came to invite their guests to their homes, so that the whole village could sing in a happy atmosphere. clients traveled to every household and then returned to the bride ' s home for dinner and to the groom ' s home. at this point, the man sends a gift to the bride ' s house, as much as he likes, and the owner sends a white cloth and a gift. when the guests left, the men and women of the village came out and delivered them. upon leaving the barn, the girls in the bride village surrounded the boys with colored florist lines and painted smoke and coloured fuel on the faces of the wedding participants as a blessing. at the end of the day, the bride stayed with her parents. the traditional tradition of 5-colored folk costumes, with silver-made jewellery, makes the women of the hmui family look beautiful and resembles the ancient chinese court style. in general, every adult hmong woman has a set of pure silver jewellery, weighing about 10 pounds and valued at 30,000 yuan. owing to its heavy weight, women in silver clothing are not able to run and jump at will and walk with caution. as women move in shape, silver chains collide with each other to make a clinking sound. in the fields of bricks, twilight, mist and green trees, this dress of the hmong women makes people feel sometimes wrong. at the wedding, there was always a lively voice, with five songs and one singing scene for the whole wedding, for a total of more than 20 hours. relatives, matchmakers and singers of both sexes sing to each other in the hmong language, and speak to each other with their own voice. three words each, three sentences each and seven words each. a round of songs on each side. the lyrics have no books to refer to, but they are built up and played by singers. the lyrics tend to celebrate the virtues of each other, to be humbled and to speak out. when a singer is strong, there is often a deliberate and funny scene, in which the viewers laugh. throughout the hymn, the lyrics are fresh, rich, narrated, romantic, implicit and humorous. the wisdom and culture of the hmong family are well demonstrated. after giving birth to a child and then getting married, it is also a feature of the family marriage tradition. the children's full moon and wedding beverages are co-opted, and they're well-to-do, commonly known as “twilights”. it is not the tradition of the hmong family, but rather the new custom that has emerged in recent years as farmers are working in the labour market - young men and women who live together after having fallen in love with foreign workers, and wedding at their homes during spring holidays, so many marriages take place during the local spring festival。